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Experimental investigation of the spirit manifestations, [electronic ...

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296 ADDITIONAL CORROBORATIVE EVIDENCEwith ii rapidity <strong>of</strong> motion inconceivably astounding, blowing a trumpetwith deafening blasts at times, or beating a tamborine or some o<strong>the</strong>r instrument.149G. One <strong>of</strong> <strong>the</strong> exhibitions represents a <strong>spirit</strong> hand during this circuit,beating a tamborine, <strong>the</strong>re being a piece <strong>of</strong> sand-paper with phosphoruson it, which <strong>the</strong>y use for illuminating <strong>the</strong> hand. I saw <strong>the</strong>m begin<strong>the</strong> work and complete it.The hand was small and delicate, and flew allover <strong>the</strong> room with something like <strong>the</strong> rapidity <strong>of</strong> light on a broken surface<strong>of</strong> water, frequently snapping <strong>the</strong> fingers, and stopping <strong>of</strong>ten near tomyself and o<strong>the</strong>rs, that we might see itto full advantage.1497. Ano<strong>the</strong>r hand, which I could not see, touched me, but I took hold<strong>of</strong> it. It seemed as if covered with buckskin.1498. The <strong>spirit</strong>s are now contriving a plan to exhibit in <strong>the</strong> light. Theysay that light destroys <strong>the</strong> conditions necessary by <strong>the</strong>ir present system,even that evolved by <strong>the</strong> phosphorus rendering <strong>the</strong> operation very difficult.1499. It appears evident that <strong>spirit</strong>s to be seen with material eyes areobliged to materialize <strong>the</strong>mselves, or else <strong>spirit</strong>ualize our vision; and <strong>the</strong>sethings have been done repeatedly.1500. I have not yet seen <strong>the</strong>m write. I have heard <strong>the</strong>m talk andplay on many instruments by <strong>the</strong> hour. There is a base and tenor drumon which <strong>the</strong>y perform with such violence, that it is almost deafening attimes, and <strong>the</strong> whole house resounds till it shakes throughout. Some <strong>of</strong><strong>the</strong> music is seraphic, especially when <strong>the</strong>y speak with <strong>the</strong> harmonicon,when it is more unearthly in its character than I should have been able toimagine.1501. The <strong>spirit</strong> houses are distinct buildings <strong>of</strong> one room, dark asErebus, and ra<strong>the</strong>r lonesome places, in this wilderness.I have, never<strong>the</strong>less,obtained permission to sleep on <strong>the</strong> floor each night in one : and duringtwo <strong>of</strong> those nights I have been favoured with faint music on <strong>the</strong>drums. Last night, from <strong>the</strong> moment I extinguished <strong>the</strong> ilght, drummingwas continued throughout <strong>the</strong> night, accompanied by a. few notes on <strong>the</strong>violin.1502. The <strong>spirit</strong> said last night, ^'I can't play a bit," but, never<strong>the</strong>less,he played some things delightfully.This was a new performer, who hadsent word he would perform this night, and that he was a German.1503. One <strong>spirit</strong> attempted to sing through <strong>the</strong> trumpet, but could notmake music ; after each failure he would stop a minute, and <strong>the</strong>n, verygood-naturedl}'', say, ^' I will try again." This he did several times, whenhe added "What shall I do for you, if I can't sing?" He at lengthtook up an accordeon, and succeeded better on that ; but I presume didnot suit himself, as he would exclaim every once in a while, '' Oh, dear I"very despondingly.1504. The efibrt <strong>the</strong> <strong>spirit</strong>s make to manifest <strong>the</strong>mselves is very great,

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