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Experimental investigation of the spirit manifestations, [electronic ...

Experimental investigation of the spirit manifestations, [electronic ...

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OF THE EXISTENCE OF SPIRITS. 299and tlicy were tolJ'to get ready in twenty minutes. We went into <strong>the</strong>room. jMr. Koons took his seat witli his fiddle and tuned it; I took myscat by his side, and my wife next to me, our chairs setting close to eacho<strong>the</strong>r, and <strong>the</strong> chairs and benches in <strong>the</strong> room were all filled. The windowshuttersand doors were now closed, and Mr. Koons put out <strong>the</strong> light, andimmediately <strong>the</strong>re came a startling blow upon <strong>the</strong> table that made <strong>the</strong>room jar, and almost brought me to my feet.''Well, King,^' said Mr.Koons, " you are here,'' and commenced playing a lively tune.as Koons began to play <strong>the</strong> fiddle,As soon<strong>the</strong> bass and tenor drums began to playwith such power and energy as to frighten me ; <strong>the</strong> whole house was on ajar and vibrating in perfect time with <strong>the</strong> music; and I know no mortalhands had hold <strong>of</strong> <strong>the</strong> drumsticks, and for <strong>the</strong> time <strong>the</strong> thought was irresistibleand constant that <strong>spirit</strong>s controlled <strong>the</strong>m.After two or three tuneson <strong>the</strong> drums, <strong>the</strong> tamborine was taken up and beat with such violence,that I expected every moment it would be dashed to pieces, at <strong>the</strong> sametime it was making rapid circles in <strong>the</strong> room and dashing from one placeto ano<strong>the</strong>r, and occasionally thrust almost in my face, so that I was afraidit would hit me. Then <strong>the</strong> French harp would be played, and <strong>the</strong>n <strong>the</strong>drums, harp, and accordeou altoge<strong>the</strong>r ; <strong>the</strong>n a strange kind <strong>of</strong> unearthlynoise would sing in concert with <strong>the</strong> music. Interspersed between <strong>the</strong>tunes upon <strong>the</strong> harp was talking through <strong>the</strong> horn, <strong>the</strong> horn frequentlypassing through <strong>the</strong> room, over and around us at <strong>the</strong> same time.THE MANIFESTATIONS CONTINUE, AND THE HEAD SPIRIT WRITES ACOMMUNICATION.1512. At one time <strong>the</strong>re was talking around <strong>the</strong> room, so as to disturbthose that were anxious to hear every thing, when suddenly <strong>the</strong>recame ashriek that was truly terrific; such a sound as Milton might supposewould be made by an imp <strong>of</strong> <strong>the</strong> infernal regions. The horn <strong>the</strong>n said :" Keep silent."1513. Koons talked some time with <strong>the</strong> voice in <strong>the</strong> horn and harp;<strong>the</strong>n asked him to write a communication for me. AYe <strong>the</strong>n heard <strong>the</strong>rattling <strong>of</strong> paper, and <strong>the</strong> phosphorus began to show itself, was taken upin a hand, showed <strong>the</strong> hand. It <strong>the</strong>n got a pencil, took some paper, andlaid it on a table close before me, and wrote on it, making <strong>the</strong> same soundthat a pencil always makes in rapid writing ;<strong>the</strong>n made some flourishes on<strong>the</strong> paper below <strong>the</strong> writing, threw down <strong>the</strong> pencil, handed <strong>the</strong> paper intomy hand, and threw <strong>the</strong> phosphorus on <strong>the</strong> floor in front <strong>of</strong> 3Ir. Koons,who took it up and handed it to <strong>the</strong> hand again; it <strong>the</strong>n threw it in <strong>the</strong>corner <strong>of</strong> <strong>the</strong> room, and said, '^ Good-night," when Mr. Koons lighted acandle.I examined <strong>the</strong> paper that <strong>the</strong> hand had given me, and found itwas my paper, which I had placed on <strong>the</strong> table, with a private mark on it.There wore f)ur lines written on it in a good legible hand, and followinf^<strong>the</strong> ruled lines on <strong>the</strong> paper as follows

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