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Experimental investigation of the spirit manifestations, [electronic ...

Experimental investigation of the spirit manifestations, [electronic ...

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OF THE EXISTENCE OF SPIRITS. *>05persons. This bentiiig <strong>of</strong> <strong>the</strong> drums is continued five minutes or more,and when ended, King usuallytakes up <strong>the</strong> trumpet and salutes us with*'Good evening, friends," or something like it, and <strong>of</strong>ten asks what particular<strong>manifestations</strong> arc desired.IMr.If none are specially asked for, King <strong>of</strong>ten asksKoons to play on <strong>the</strong> violin, <strong>the</strong> <strong>spirit</strong> band playing at <strong>the</strong> same timeon <strong>the</strong> drums, triangle, tamborine, harp, accordeon, harmonica, etc. etc.upon <strong>the</strong>se <strong>the</strong> <strong>spirit</strong>s perform scientifically, in very quick and perfect time.They commence upon each instrument at one instant, and in full blast, andstop suddenly after sounding <strong>the</strong> full note, showing that <strong>the</strong>y have somemore perfect method than we have <strong>of</strong> notifying each performer <strong>of</strong> <strong>the</strong> instantto start and stop. After <strong>the</strong> introductory piece on <strong>the</strong> instruments,<strong>the</strong> <strong>spirit</strong>s <strong>of</strong>ten sing. I heard <strong>the</strong>m sing. The <strong>spirit</strong>s spoke to us, requestingus to remain perfectly silent.Presently, we heard human voicessinging, apparently in <strong>the</strong> distance, so as to be scarcely distinguishable;<strong>the</strong> sounds gradually increased, each part relatively, until it appeared as ifa fullchoir <strong>of</strong> human voices were in our small room, singing most exquisitely.I think I never heard such perfect harmony ; each part was performedwith strict attention to its relative degree <strong>of</strong> sound or force.was none <strong>of</strong> that flopping, floundering, ranting,Thereand shrieking which constitutes<strong>the</strong> staple <strong>of</strong> what is latterly called music; liarmoiii/j ra<strong>the</strong>r thannoise, seemed to constitute <strong>the</strong> <strong>spirit</strong>s' song. So captivating was it, that<strong>the</strong> heartstrings seemed to relax or to increase <strong>the</strong>ir tension, to accord with<strong>the</strong> heavenly harmony. It seems to me that no person could sit in thatsanctuary without feeling <strong>the</strong> song <strong>of</strong> ''Glory to God in <strong>the</strong> highest, peaceon earth, and good-will to man," spontaneously rising in <strong>the</strong> bosom, andfinding expression on <strong>the</strong> lip.I don't know that <strong>the</strong> <strong>spirit</strong>s attempted toutter words with <strong>the</strong>ir song ; if <strong>the</strong>y did, <strong>the</strong>y succeeded in this particularno better than modern singers.to articulate, for ever}'-But it was hardly necessary for <strong>the</strong> <strong>spirit</strong>sstrain and modulation seemed pregnant with holysentiments, and language could scarcely signify more. After this vocalperformance, several pieces <strong>of</strong> quick music were performed by <strong>the</strong>on <strong>the</strong> several instruments.<strong>spirit</strong>sThey play faster than mortals usually do, andin most perfect time throughout. If any instrument gets out <strong>of</strong> chord,<strong>the</strong>y tune it ; <strong>the</strong>y tuned <strong>the</strong> violin in my presence, and did it rapidly andskilfully.1529. Spirits reconstruct <strong>the</strong>ir physical bodies, or portions <strong>of</strong> <strong>the</strong>m, fromsimilar elements, apparently, as those which constitute our mortal bodies.Spirits' hands and arms were reorganized in our presence, on several <strong>of</strong><strong>the</strong>se occasions; and that we might see <strong>the</strong> more distinctly, <strong>the</strong>y sometimeswet <strong>the</strong>ir hands with a weak solution <strong>of</strong> phosphorus, (which Mr. Koonsprepared some time previous by <strong>the</strong>ir request,) which emits a light, so that<strong>the</strong>ir hands can be almost as distinctly seen in a dark room as <strong>the</strong>y couldbe if <strong>the</strong> room were light. At one <strong>of</strong> <strong>the</strong>se circles which I attended, <strong>the</strong>rewere three hands which had been covered with this solution <strong>of</strong> phosphorus,20

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