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Perceptual Coherence : Hearing and Seeing

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110 <strong>Perceptual</strong> <strong>Coherence</strong><br />

along a whitewashed wall or speech rhythms. Higher-frequency waves represent<br />

more rapid changes (e.g., tree trunks in a sunny forest, picket fences,<br />

or a rapid musical trill), <strong>and</strong> even higher frequencies are seen <strong>and</strong> heard as<br />

uniform <strong>and</strong> continuous (e.g., musical tones) due to limitations in neural<br />

resolution. The Fourier representation is most appropriate for repeating<br />

scenes that do not vary across space or time. Each component sine or cosine<br />

wave is invariant.<br />

If the amplitudes of the Fourier waves are plotted against their frequencies,<br />

there are several prototypical outcomes:<br />

1. The amplitudes of each component sine wave are equal, <strong>and</strong> the<br />

phases are r<strong>and</strong>om. 6 The amplitude of one point in the scene does not<br />

predict the brightness of another point.<br />

2. There is a nonmonotonic relationship between frequency <strong>and</strong> amplitude.<br />

For example, the sound of a musical instrument or the sound<br />

of a vowel can be portrayed by the amplitude of two or more frequency<br />

components. In most cases, the frequencies of the components<br />

are multiples of the lowest fundamental frequency, <strong>and</strong> to<br />

some degree the differences between instrumental sounds or spoken<br />

vowels are due to the pattern of the amplitudes of those harmonic<br />

frequencies. For example, the amplitudes of the odd harmonics of a<br />

clarinet note are high, but the amplitudes of the even harmonics are<br />

low due to the resonances of an open tube. If the instrument note or<br />

vowel is recorded at one speed (or sampling rate) <strong>and</strong> replayed at another,<br />

the note or vowel will sound different.<br />

3. There are monotonic relationships between amplitude <strong>and</strong> frequency<br />

such that amplitude is proportional to ∼1/f c where the exponent c can<br />

range from 0 to 3 or 4. These functions are termed power laws <strong>and</strong><br />

have the important property of being self-similar. They are termed<br />

fractal processes: The same power law relationship holds on all<br />

scales. The relationship between amplitude <strong>and</strong> frequency would be<br />

identical whether a camera is zoomed in on a small location or<br />

zoomed out to encompass the entire field. When viewing a mountain<br />

range, the pattern of altitude variation within one peak is similar to<br />

the pattern of variation across peaks. As one zooms in, the same level<br />

of complexity emerges; the global <strong>and</strong> local contours are similar in<br />

the geometric sense. When listening to sounds that obey a power law<br />

function, the pitch of the sound would not change if the speed of<br />

playback was increased or decreased. There are no inherent time or<br />

frequency scales—whatever happens in one time or frequency range<br />

6. The Fourier representation of a narrow edge or sound click also contains equal amplitudes,<br />

but the phases are also equal.

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