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Perceptual Coherence : Hearing and Seeing

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392 <strong>Perceptual</strong> <strong>Coherence</strong><br />

Figure 9.5. The principle of<br />

uniform connectedness first<br />

breaks the visual scene into<br />

enclosed regions. The problem<br />

now is grouping the<br />

discrete regions into objects<br />

(e.g., whether the two small<br />

triangles are part of a larger<br />

triangle <strong>and</strong> whether the two<br />

rectangular segments are<br />

connected) <strong>and</strong> creating the<br />

figure-ground relationships.<br />

We perceive the two large<br />

light gray areas as forming a<br />

continuous ground, but again,<br />

that is an inference.<br />

stay with the figure; the boundary shifts from being part of the white rectangle<br />

in front of the black rectangle to being a hole in the black rectangle<br />

in front of a white continuous background. The boundary shifts as a unit; it<br />

does not break apart. 2<br />

The principles for determining which regions become the figure include<br />

the following:<br />

1. Surroundedness: Any region completely surrounded by another usually<br />

is perceived as the figure in front of the surrounding ground.<br />

(Unless, as illustrated in figure 9.6, it is perceived as a hole in an<br />

object, the choice between figure <strong>and</strong> hole being determined by<br />

other cues.)<br />

2. Size: The smaller region usually is perceived as the figure. It is more<br />

likely that a smaller object will occlude part of a larger one than the<br />

reverse.<br />

3. Contrast: Within a surrounded region, the area with the highest<br />

contrast to the background usually is perceived to be the figure.<br />

2. The same perceptual phenomenon is found for auditory induction. The tone (i.e., the<br />

figure) appears to continue through the noise masker, <strong>and</strong> the frequency components common<br />

to the tone <strong>and</strong> masker belong to the tone.

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