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Perceptual Coherence : Hearing and Seeing

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344 <strong>Perceptual</strong> <strong>Coherence</strong><br />

Percussion Instruments <strong>and</strong> Impact Sounds<br />

The wide range of complex <strong>and</strong> nonperiodic sounds for the percussion instruments<br />

follows the same vibration principles described above. All such<br />

instruments have many periodic vibration modes, <strong>and</strong> all complex vibrations<br />

can be understood as the summation of the vibration of the individual<br />

modes. The amplitude of each mode resulting from striking the instrument<br />

depends on the point of excitation (like that for a vibrating string), the area<br />

of the impact, <strong>and</strong> the strength of the excitation. For steel drums, multiple<br />

notes are created on the concave surface by pounding the location of each<br />

note to a different shape <strong>and</strong> thickness <strong>and</strong> then heat treating the entire surface.<br />

The excitation of a single note at one location excites many other<br />

notes <strong>and</strong> that gives the drums their unique sound.<br />

On the whole, the attack times for percussion instruments are short;<br />

there is little or no steady state; <strong>and</strong> the decay times for each mode will<br />

be exponential although different. What this means is that the percentage<br />

of reduction of energy for each mode within each time period will be<br />

constant. If the energy decays to 50% within the first 50 ms, then it will<br />

decay another 50% from 50 to 100 ms (to 1/4), another 50% from 100 to<br />

150 ms (to 1/8), <strong>and</strong> so on. Again, on the whole the higher-frequency vibration<br />

modes decay more rapidly because they involve more frequent <strong>and</strong><br />

severe bending that creates greater internal friction.<br />

Speaking <strong>and</strong> Singing: Air Vibrations Within Nonuniform<br />

Hollow Tubes<br />

The voice is our most expressive instrument; it creates human interaction.<br />

But fundamentally, the voice is no different from any other instrument. The<br />

air expelled through the vocal folds creates the source vibration. The source<br />

vibration is coupled to the vocal tract, composed of the mouth, lips, tongue,<br />

<strong>and</strong> nose. The vocal tract acts as the sound body filter that selectively amplifies<br />

the spectrum of the source vibration. The resulting sound is then<br />

radiated from the mouth <strong>and</strong> nose.<br />

Source Excitation<br />

The vibration of the vocal cords creates the frequency spectrum of the<br />

source excitation. The speaker controls the vibration frequency of the vocal<br />

cords by varying the tension of the cords. The speaker can also control the<br />

spectrum of the source by varying the lung pressure. At low pressures,<br />

the flow pattern is weak, continuous, <strong>and</strong> sinusoidal; at higher pressures,<br />

the cords can remain closed for up to 70% of the period. The source becomes<br />

a series of air puffs. The similarities to other instruments should be

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