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Perceptual Coherence : Hearing and Seeing

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336 <strong>Perceptual</strong> <strong>Coherence</strong><br />

plucking, or bowing a string) can change the vibration pattern of the<br />

source. Second, there may be large timing differences between the amplitudes<br />

of the vibrations at different frequencies throughout the sound.<br />

We still multiply the source by the filter, but due to the temporal evolution<br />

of the amplitudes of the component vibration, that multiplication must be<br />

done separately at every time point across the duration of the sound (i.e.,<br />

frequency <strong>and</strong> time are nonseparable). It is this change in the vibration pattern<br />

that can be critical for object identification.<br />

Vibratory Modes<br />

If we excite a material by striking it, vibrating it, blowing across it, bending<br />

or twisting it, <strong>and</strong> then stop the excitation, the material may begin to vibrate<br />

at one or more of its natural resonant frequencies. There are two physical<br />

properties that yield continuing vibrations:<br />

1. The material must possess a stiffness or springlike property that provides<br />

a restoring force when the material is displaced from equilibrium. At<br />

least for small displacements, nearly all materials obey Hooke’s law that<br />

the restoring force is proportional to displacement x, F =−Kx. Hooke’s law<br />

is correct only at small displacements. At longer displacements, springlike<br />

materials tend to become harder so that the restoring force increases. This<br />

nonlinearity in the restoring force at those longer displacements can change<br />

the natural frequencies of the vibration modes.<br />

2. The material must possess sufficient inertia so that the return motion<br />

overshoots the equilibrium point. The overshoot displacement in turn creates<br />

a restoring force in the direction of the original displacement that recharges<br />

the motion. The overshoots create a continuing vibration that eventually dies<br />

out due to friction (although the vibration frequency remains the same<br />

throughout the decay, an important property).<br />

For materials that satisfy properties (1) <strong>and</strong> (2), the amplitude of the<br />

movement across time for every single vibratory pattern will resemble the<br />

motion of a sinusoidal wave <strong>and</strong> is termed simple harmonic motion. In<br />

nearly all vibratory systems, any source excitation will create several vibratory<br />

modes, each at a different frequency. Each such vibratory mode will<br />

have a distinct motion <strong>and</strong> can be characterized by its resonant frequency<br />

<strong>and</strong> by its damping or quality factor. The resonant frequency of each mode<br />

is simply the frequency at which the amplitude of vibration is highest. The<br />

material itself will determine the possible frequencies of vibration. For<br />

strings under tension, the resonant frequency of the first vibration mode<br />

(termed the fundamental frequency) is equal to:<br />

F = 1/(2π)[K(tension)/M(mass of the string)] 1/2 . (8.1)

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