05.01.2013 Views

Perceptual Coherence : Hearing and Seeing

Perceptual Coherence : Hearing and Seeing

Perceptual Coherence : Hearing and Seeing

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

larger arrays <strong>and</strong> Baddeley <strong>and</strong> Tirpathy (1998) suggested the perception of<br />

movement was based on the fraction of dots that moved, so that the detection<br />

of motion appears to be a global operation on the whole pattern, <strong>and</strong><br />

not a local operation founded on the perceived motion of just several dots.<br />

If the displacement is beyond d max, the target region does not appear to<br />

move. Instead, the dots within the region appear to oscillate independently<br />

in different directions, being the chance pairing of noncorresponding dots.<br />

Second, there is a limit to the onset-to-onset interval. In Braddick’s experiment,<br />

if that interval was greater than 50 ms, the perception of motion was<br />

diminished. Moreover, there was no relationship between displacement <strong>and</strong><br />

time as found for the apparent movement of single figures. Third, apparent<br />

movement does not occur if the first array is presented to one eye <strong>and</strong> the<br />

second array is presented to the other eye. In contrast, apparent movement<br />

of single figures will occur for the same alternating eye sequence.<br />

I will return to the difficulties of the short-long distance distinction.<br />

However, I do believe that there is a real distinction between short-distance<br />

perception based on spatial correlation <strong>and</strong> long-distance perception based<br />

on the identification <strong>and</strong> correspondence of features, <strong>and</strong> that the short-long<br />

distinction is very similar to the pitch-feature distinction discussed for the<br />

perception of repeated noises in chapter 4. A segment of auditory noise is<br />

just like a r<strong>and</strong>om dot pattern.<br />

Apparent Motion of Nonrigid Arrays<br />

Perception of Motion 215<br />

Another type of visual stimulus used to study motion detection is similar to<br />

the seemingly unconnected movements of the fireflies. A r<strong>and</strong>om array of<br />

dots is shown in the initial frame. In the next (<strong>and</strong> successive) frames, each<br />

dot moves to a new position. The direction <strong>and</strong> distance of movement could<br />

be r<strong>and</strong>omly determined for each dot, or the direction <strong>and</strong> distance of<br />

movement could be constrained for a subset of the dots. For example, 10%<br />

of the dots would move vertically in each frame. The observer’s task is to<br />

identify the direction of the coherent subset of dots.<br />

This paradigm is similar to but more complicated than the r<strong>and</strong>om dot<br />

arrays described in the previous section. In those experiments, all of the<br />

dots that shifted from frame to frame formed a connected vertical or horizontal<br />

rectangle so that each dot moved identically. Here, the dots constrained<br />

to move in one direction are usually scattered throughout the entire<br />

field, <strong>and</strong> each can move a different distance. Moreover, different dots will<br />

move in the target direction on successive frames. Any single dot has a limited<br />

lifetime, so that it can move in one direction only for very few steps.<br />

This restriction disallows observers from tracking the movement of a single<br />

dot. The movements shown in figure 5.9 illustrate these constraints. In the<br />

two frames shown, 4 of the 10 dots move to the right. But only dots F <strong>and</strong>

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!