Perceptual Coherence : Hearing and Seeing

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Wavelet analysis. See Sparse coding, basis functions Weaver, W., 98, 443 Webb, B. S., 47, 429 Weber’s law, 245, 250, 259 Wedin, L., 356, 446 Wegmann, B., 89, 448 Wehr, M. S., 86, 145, 446 Weisel, T. N., 43, 47, 434 Weisz, N., 74, 446 Welch, R. B., 404, 406, 414–415, 427, 446 Wenderoth, P., 223, 428 Werblin, F. S., 258, 447 Wertheimer, M., 196, 447 What and where auditory and visual pathways are pathways parallel and independent?, 92–93 auditory pathways, what and where, 91 distributed functions, 88–90 function integration and functional specialization, reasons for, 87–88 hierarchical organization, 88, 332 visual what pathways, specific configurations of shape attributes, 88–90 visual where (movement) pathways, respond to relative motion, 90 Whitaker, D., 416, 434 White noise, 30 White, B. W., 153, 155, 157, 432 Whitfield, I. C., 187, 447 Wickens, T. D., 397, 400, 435 Wiegrebe, L., 183, 447 Wienbach, C., 74, 446 Wiener kernel. See Spike triggered average stimulus Index 469 Wilkerson, F., 172–174, 265, 447 Williams, D. R., 330, 440 Wilson, H. R., 18, 172–174, 227, 264–265, 447 Wilson, J. A., 170, 447 Wilson, R., 131, 142, 144–145, 440 Winawer, J., 316, 329, 425 Winer, J. A., 73, 441 Winsberg, S., 353–355, 360, 438–439 Wishart, K. A., 315–316, 447 Wojiciulik. E., 88, 435 Wolf, A. K., 153, 155, 157, 432 Wolfe, J., 347, 435 Wood, R., 408, 444 Wrightson, J. M., 183, 446 Wyszecki, G., 304, 306, 435, 447 Yang, J. N., 324–326, 329–330, 447 Yau, K.-W., 242, 426 Yellot, J. I. J., 158n, 447 Yo, C., 18, 447 Yosef, O. B., 108, 125, 439 Yost, W. A., 22, 169, 447 Young, E. D., 269, 428 Young, M. P., 88, 130, 431, 434 Yuille, A., 103–105, 202, 208, 210, 436, 447 Zador, A. M., 24, 79–80, 86, 145, 429, 438, 446 Zaidi, Q., 150, 437 Zanker, J. M., 202, 447 Zare, S. L., 197, 443 Zatorre, R. J., 92–93, 448 Zemel, R., 122–124, 441 Zera, J., 382, 448 Zetzsche, C., 89, 448 Zucker, S. W., 162, 166, 426
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PERCEPTUAL COHERENCE
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Perceptual Coherence Hearing and Se
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To My Family, My Parents, and the B
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Preface The purpose of this book is
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Preface ix intertwined with my own
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Contents 1. Basic Concepts 3 2. Tra
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PERCEPTUAL COHERENCE
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1 Basic Concepts In the beginning G
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Basic Concepts 5 sources moving in
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even though its appearance changes.
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sources. A single sound source is t
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straight line parallel to the actua
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continuous sound. The correspondenc
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Basic Concepts 15 overall uncertain
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problem. The “snapshots” in spa
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segments at different orientations.
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in amplitude across time (analogous
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Basic Concepts 23 visual experience
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we would expect the correlation to
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Transformation of Sensory Informati
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Table 2.1 Derivation of the Recepti
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Figure 2.7. Continued
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3 Characteristics of Auditory and V
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Information =−Σ. Pr(x i ) log 2
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Characteristics of Auditory and Vis
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valleys” that support the high-fr
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Phase Relationships and Power Laws
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systems to be. One possibility woul
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are most active, relatively large c
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(see figure 2.2 based on the Differ
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epresenting these naturally occurri
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found in V1. Even though the filter
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Figure 3.14. The independent compon
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specific persons or objects (e.g.,
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amplitudes of each picture and foun
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4 The Transition Between Noise (Dis
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more cortical levels. For example,
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The Transition Between Noise and St
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about poorer performance by creatin
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Figure 4.8. Continued The Transitio
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Surface Textures Visual Glass Patte
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Figure 4.11. Continued The Transiti
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(A) (B) (C) The Transition Between
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(A) (B) Warbleness The Transition B
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2000 Hz with a single action potent
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The same problem of the multiplicit
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order to create the appearance of s
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Perception of Motion 199 Figure 5.2
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Perception of Motion 203 together.
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Perception of Motion 205 (The two f
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again, two perceptions can result a
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Perception of Motion 211 notes of t
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Perception of Motion 213 Braddick (
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larger arrays and Baddeley and Tirp
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Perception of Motion 217 the judgme
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Perception of Motion 219 one color
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To review, neurons sensitive to mot
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Transparency aftereffects do occur
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Perception of Motion 225 stimuli, t
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Perception of Motion 231 perception
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Perception of Motion 237 same direc
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Time 1, Tone 1 is turned off, at Ti
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6 Gain Control and External and Int
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a signal-to-noise ratio), and Barlo
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Gain Control and External and Inter
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Suppose we have a background that h
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R Gain Control and External and Int
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Makous (1997) pointed out how diffi
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contrast that defines the boundarie
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per Second Figure 6.10. Continued G
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ane was linear, the higher sound pr
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(C. D. Geisler, 1998; C. D. Geisler
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noise visual field. 4 The S + N inp
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B. Murray, Bennett, and Sekular (20
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The authors proposed that the four
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Efficiency and Noise in Auditory Pr
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etween samples). Spiegel and Green
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In sum, the masking release is grea
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The Perception of Quality: Visual C
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Visual Worlds Modeling the Light Re
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Indirect Illumination Causing Specu
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of an object but also require the c
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assumed, so that the surface irradi
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Relative Power of Basis Functions S
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that the reflectance of the test co
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amount of light transmitted through
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light reflected by all surfaces in
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magenta to white). Then Bloj et al.
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Why is there opponent processing? O
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8 The Perception of Quality: Audito
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exists at several levels: (a) descr
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The Perception of Quality: Auditory
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mode is proportional to the relativ
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The overall result is that the rela
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obvious. The tension on the vocal c
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(termed the amplitude envelopes) ar
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obviously misplaced). The majority
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Pastore (1991) investigated whether
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experience. Erickson (2003) found t
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Rhythmic patterning usually gives i
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Let me summarize at this point. The
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the oddball note to be the one most
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9 Auditory and Visual Segmentation
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Auditory and Visual Segmentation 37
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processes (e.g., basilar membrane v
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same time, the difficulty of detect
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elease (discussed in chapter 6) dem
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(A) Target Rhythm Target + Masking
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to grouping by perceived position d
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4. Convexity: Convex figures usuall
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filter inferred from the background
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Jackson (1953) found that the sound
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a speaking face is located in front
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was high, then the resolution of th
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Page 436 and 437: Summing Up 423 course of the stimul
Page 438 and 439: References Adelson, E. H. (1982). S
Page 440 and 441: References 427 Bermant, R. I., & We
Page 442 and 443: References 429 Crawford, B. H. (194
Page 444 and 445: References 431 Feldman, J., & Singh
Page 446 and 447: References 433 and male voices in t
Page 448 and 449: References 435 Isabelle, S. K., & C
Page 450 and 451: References 437 Laughlin, S. B. (200
Page 452 and 453: References 439 McAdams, S., Winsber
Page 454 and 455: References 441 Pittinger, J. B., Sh
Page 456 and 457: References 443 Shamma, S. (2001). O
Page 458 and 459: References 445 Troost, J. M. (1998)
Page 460 and 461: References 447 Welch, R. B. (1999).
Page 462 and 463: Index Boldfaced entries refer to ci
Page 464 and 465: Barbour, D. L., 83, 367, 426 Barlow
Page 466 and 467: Color reflectance 1/f c amplitude f
Page 468 and 469: Figure-ground auditory, 373, 421 in
Page 470 and 471: Hallikainen, J., 304, 440 Handel, S
Page 472 and 473: K-order statistics. See Visual text
Page 474 and 475: separation of things, 5 See also Pe
Page 476 and 477: Recanzone, G. H., 409-412, 441, 443
Page 478 and 479: Stream segregation default assumpti
Page 480 and 481: vibration frequencies of air masses
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