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Perceptual Coherence : Hearing and Seeing

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466 Index<br />

Timbre (continued)<br />

double representation of striking<br />

object <strong>and</strong> struck object, 366<br />

identification of width:height ratio<br />

of bars <strong>and</strong> plates, 363–365<br />

identification of wind instruments,<br />

357–358<br />

organization of objects <strong>and</strong> events<br />

in terms of physical actions, 362<br />

physically inspired modeling, 372<br />

rhythmic patterning, distinguish<br />

among actions, 363<br />

spectral properties, distinguish<br />

among materials, 361–362, 364<br />

summary, identification arises<br />

from information in different<br />

domains, 368<br />

trajectories to connect sounds<br />

from the same source at different<br />

frequencies <strong>and</strong> intensities,<br />

368–371<br />

See also Color <strong>and</strong> timbre: comparisons<br />

Tirpathy, S. P., 215, 426<br />

Tohkura, Y., 419, 442<br />

Tolhurst, D. J., 148–149, 440<br />

Tonal <strong>and</strong> non-tonal pitch perception<br />

(infrapitch), 179<br />

Tonotopic organization, 63, 72<br />

Trajectories, perceptual<br />

aging faces, 14<br />

analogy to asymmetric color<br />

matching, 368, 370n<br />

instrumental <strong>and</strong> singing voice<br />

timbre, 369–371<br />

Troost, J. M., 300, 445<br />

Troscianko, T., 148–149, 308, 440<br />

Tse, P., 203–205, 210, 445<br />

Tsou, B. H., 149<br />

Tucker, F. M., 113, 439<br />

Tudor, L., 402–403, 442<br />

Turgeon, M., 388–390, 445<br />

Turner, G. C., 131, 142, 144–145, 440<br />

Turvey, M. T., 365, 436<br />

Tyler, C. W., 118, 158n, 445<br />

Unique point heuristic, 11n<br />

Univariance assumption, lack of history<br />

in neural spike train, 61<br />

Uttal, W. R., 24, 445<br />

Van de Grind, W. A., 223, 445<br />

Van de Smagt, M. J., 223, 445<br />

van der Helm, P. A., 375, 377, 445<br />

Van Essen, D. C., 87, 89–90, 431, 445<br />

Van Gool, L., 203, 446<br />

Van Horebeek, J., 203, 446<br />

Van Noorden, L. P. A. S., 211–212,<br />

386, 445<br />

Van Valkenburg, D., 23, 436<br />

V<strong>and</strong>erveer, N. J., 363–364, 445<br />

Vatikiotis-Bateson, E., 417, 439<br />

Verbrugge, R. R., 363–364, 446<br />

Verstraten, F. A., 223, 445<br />

Vibration modes<br />

in general<br />

damping, 337<br />

resonant frequencies, 336–337<br />

set of source excitations coupled<br />

to a set of filter resonant modes,<br />

337–338<br />

simple harmonic motion, 336<br />

of percussion instruments, short attack<br />

<strong>and</strong> exponential decay, 344<br />

of plates<br />

effect of manner <strong>and</strong> position of<br />

excitation, 340<br />

resonant frequencies of partials,<br />

339–340<br />

vibration modes not related by integers,<br />

340<br />

of singing <strong>and</strong> speaking<br />

vocal cord excitation, 344–345<br />

vocal tract filter, coupling among<br />

flexible cascaded tubes,<br />

345–347<br />

vowels <strong>and</strong> fricatives, 345–347<br />

of strings<br />

effect of manner <strong>and</strong> position of<br />

excitation, 338–339<br />

fundamental frequency <strong>and</strong> harmonics,<br />

338–339<br />

source (string)-filter (sound body)<br />

coupling, 340–341<br />

vibrato, 339<br />

of wind instruments (clarinet <strong>and</strong><br />

trumpet)<br />

asynchrony in the onsets of harmonics,<br />

343<br />

effect of manner of source excitation<br />

(blowing), 342–343

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