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Perceptual Coherence : Hearing and Seeing

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Transformation of Sensory Information Into <strong>Perceptual</strong> Information 69<br />

the 100 Hz fundamental. Correlogram representations, <strong>and</strong> timing models in<br />

general, have been rather successful in matching results from human pitch<br />

judgment experiments.<br />

Given the frequency limitations to phase-locking, it is best to hypothesize<br />

that both rate <strong>and</strong> timing are used by the auditory system: Timing coding<br />

occurs up to the frequency determined by the phase-locking limit, <strong>and</strong><br />

rate coding occurs at frequencies beyond that. As you go up the auditory<br />

system, the phase-locking limit decreases so that by the primary auditory<br />

cortex, that limit may be only 40 to 50 Hz (T. Lu, Liang, & Wang, 2001). T.<br />

Lu <strong>and</strong> Wang (2004) argued that rate <strong>and</strong> timing coding may encode different<br />

properties of the auditory input or encode the same property by means<br />

of different populations of neurons. In that work, roughly 40% of the cortical<br />

neurons synchronized to the onsets of rapidly occurring clicks (down to<br />

a 30 ms interval between clicks), while the remaining 60% of the cells did<br />

not have any timing information. T. Lu <strong>and</strong> Wang (2004) argued that the<br />

latter cells are a transformed representation of the stimulus that could encode<br />

other properties.<br />

At the Auditory Brainstem <strong>and</strong> Midbrain<br />

One strong similarity between the spatial receptive fields in vision <strong>and</strong> the<br />

frequency receptive fields in audition is that both occur at different resolutions.<br />

Spatial receptive fields <strong>and</strong> critical b<strong>and</strong>s vary in b<strong>and</strong>width <strong>and</strong> are<br />

densely distributed along the frequency dimension. There is local coding in<br />

both. A second similarity is the spatial overlap of receptive fields in vision<br />

<strong>and</strong> the frequency overlap of critical b<strong>and</strong>s in audition.<br />

This firing pattern is carried by the auditory nerve to the cochlear nucleus.<br />

Here, parallel processing channels are created that abstract certain<br />

acoustic features. One such enhanced feature is the degree of amplitude<br />

Figure 2.23. Derivation of a population peristimulus histogram <strong>and</strong> population<br />

all-order interval histogram. The population peristimulus histogram sums the number<br />

of spikes across fibers with different characteristic frequencies at time points after<br />

stimulus onset. The derivation of an all-order peristimulus histogram for a single<br />

fiber is shown schematically in (A), (B), <strong>and</strong> (C). The stimulus waveform is shown<br />

in (A), the spikes are shown in (B), <strong>and</strong> all of the intervals between spikes are<br />

shown in (C). An example of a population all-order interval histogram is shown below.<br />

The histogram covers a 50 ms interval beginning 240 ms after stimulus onset.<br />

At the top of the left column is the stimulus waveform, below that the spikes for<br />

fibers with different characteristic frequencies, <strong>and</strong> at the bottom the total number<br />

of spikes at each time point. At the top of the right column is the autocorrelation for<br />

the stimulus waveform, below that is the intervals between spikes for fibers with<br />

different characteristic frequencies, <strong>and</strong> at the bottom is the frequencies of the intervals<br />

between spikes. Figure courtesy of Dr. Peter Cariani.

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