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Perceptual Coherence : Hearing and Seeing

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Perception of Motion 205<br />

(The two frames are alternated in exactly the same way as in the classic apparent<br />

motion presentations.) Even though the two stimuli are presented<br />

discretely, the perception is that the elongated rectangle appears to grow<br />

out of the contiguous square (figure 5.4A) even if the extension is the<br />

brightness of the opposite square (figure 5.4B). If the elongated rectangle<br />

touches both squares, then the rectangle appears to grow out of both if<br />

the squares are identical or grows out of the one with the same brightness if<br />

the squares differ (figure 5.4C).<br />

In the second type of configuration, two different rectangles are shown<br />

in frame 1, <strong>and</strong> then a connected combination of the two shapes is shown<br />

in frame 2. The perceived motion goes along the smoothest contours <strong>and</strong><br />

tends to parse the figures along concave contours (figure 5.4D). In the<br />

third type of configuration, the first frame contains a small square <strong>and</strong><br />

an elongated vertical rectangle. In one variant, the second frame contains<br />

an elongated horizontal rectangle that appears to go behind the original<br />

vertical rectangle (figure 5.4E). The perception here is a smooth extension<br />

of the original square into a horizontal rectangle that proceeds<br />

behind the vertical rectangle. If the two frames alternate, the horizontal<br />

rectangle appears to extend <strong>and</strong> contract. In the other variant, the second<br />

view contains two horizontal rectangles that do not touch the vertical<br />

rectangle (figure 5.4F). The perception here is quite different: the original<br />

square seems to extend to the right but is not part of the right rectangle,<br />

<strong>and</strong> the right rectangle flashes on <strong>and</strong> off. The parsing module guesses<br />

that the right square represents a br<strong>and</strong>-new object because it does<br />

not butt up against the vertical rectangle. It is not part of the apparent<br />

motion of the original left square (a similar auditory outcome is presented<br />

below).<br />

Using the same type of stimuli, Holcombe (2003) demonstrated that the<br />

sudden onset of a visual stimulus could be interpreted as a morphing motion,<br />

as found by Tse et al. (1998) above, but it also could be interpreted<br />

as the disappearance of a shape in the foreground. Several examples are<br />

shown in figure 5.5. If we simply compare figures 5.5A, 5.5B, <strong>and</strong> 5.5C, in<br />

5.5A only 27% of observers see the small gray square morph into the gray<br />

rectangle, but in 5.5C nearly all observers perceive a morphing motion.<br />

Figure 5.5A is consistent with the black rectangle disappearing, exposing<br />

the hidden part of the gray rectangle, but that cannot occur in figure 5.5C.<br />

Figure 5.5B is an intermediate case because the gray segment overlapping<br />

the black rectangle provides an ambiguous cue to occlusion. Similarly, in<br />

5.5D <strong>and</strong> 5.5E, the small textured rectangle could occlude a central segment<br />

of the black-<strong>and</strong>-white gradient in 5.5D, but the texture background<br />

in 5.5E makes occlusion unlikely.<br />

Tse et al. (1998) <strong>and</strong> Holcombe (2003) argued, successfully in my opinion,<br />

that these results blur any distinction between the parsing <strong>and</strong> matching

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