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Perceptual Coherence : Hearing and Seeing

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5<br />

Perception of Motion<br />

It is early August in Tennessee, <strong>and</strong> I am enjoying the flashing of<br />

fireflies each evening. There are only a small number of fireflies,<br />

<strong>and</strong> the flashes are unsynchronized. It is relatively easy to match the successive<br />

flashes to each firefly. However, if there were many flies <strong>and</strong> their<br />

flashes were synchronized so that there were alternate periods of dark <strong>and</strong><br />

light (as happens with several species), it would be very difficult to match<br />

the sequence of flashes firefly by firefly. In the previous chapter, I considered<br />

the correspondence problem for static textures. In this chapter, I consider<br />

the correspondence problem for moving stimuli, primarily in the<br />

visual domain, <strong>and</strong> tracking the erratic movements of fireflies is one of the<br />

most difficult problems.<br />

It could be argued that detecting motion is the most important thing animals<br />

do. Animals must detect motion when they are stationary <strong>and</strong> when<br />

they are moving. Motion degrades camouflage <strong>and</strong> crystallizes objects. It<br />

protects us from predators <strong>and</strong> provides prey. At one level, motion perception<br />

simply is another kind of texture segmentation. There is a change in the<br />

visual field such that one region pops out <strong>and</strong> is perceived as beginning <strong>and</strong><br />

ending at different locations in the field. In fact, Julesz (1995) <strong>and</strong> others list<br />

movement as one of the factors leading to texture segmentation. However, in<br />

this section, I treat movement in terms of the correspondence problem to<br />

emphasize the similarity to the perception of repetition <strong>and</strong> symmetry.<br />

Two findings from the research on texture perception st<strong>and</strong> out for me.<br />

The first is that both preattentive effortless perceiving <strong>and</strong> attentive “scrutinizing”<br />

perceiving are found for visual textures <strong>and</strong> repeating noise segments.<br />

It is not clear whether these two impressions imply that there are two<br />

distinct <strong>and</strong> nonoverlapping processes or if it means that several processes<br />

necessarily are active simultaneously, another example of multiresolution.<br />

194

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