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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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need to be highlighted. The same happens in the previous examples, and this shows the<br />

complexity of the study of humour and how much an act of humour can contain.<br />

Abuse of power<br />

Another topic which is discussed through the combination of these previous elements<br />

(incongruity, exaggeration, corrective) is the abuse of power, whether from those in<br />

government or those in positions of power, such as policemen and civil servants. Those<br />

in charge of ensuring order are portrayed in all three comic books as feared characters,<br />

not only by the criminals but by the citizens themselves. This creates a reality in which<br />

the roles are reversed, which in fact is not too far from reality. Thus, readers can<br />

recognise themselves in the adventures -and misadventures- of the characters, and<br />

distinguish references to their own reality.<br />

There is an episode in Los Agachados in which Licenciado Trastupijes orders his<br />

private secretary, Bedoyo, to arrest a man who is painting graffiti on the walls which<br />

appears to be anti-government propaganda. Trastupijes insists on arresting the man<br />

without using violence while Bedoyo thinks to himself ‘Chin.. ¿cómo se hace pa detener<br />

a alguien sin golpearlo?’ 59 This reaction is exaggerated and illogical since we trust that<br />

the authorities have various means of non-violent detention. However, the scene also<br />

highlights a social concern: the abuse of power. There is a similar scene in which the<br />

local police are looking for someone who robbed a visiting Member of Congress, a<br />

diputado. Working separately, the two policemen each arrest an innocent civilian,<br />

framing them with the crime. When they are presented to the authorities, both badly<br />

injured, one of the accused says: ‘¡Ni cierto! Me jue a sacar del bote y me amenazó de<br />

muerte si no confesaba..’ The other man adds: ‘¡Y a mí me sacó Cambujo de mi casa y a<br />

59 Los Agachados, 71, p. 6.<br />

98

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