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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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Differences are funny<br />

As mentioned earlier, the features of some characters will be exaggerated in order to<br />

make them match stereotypes, and occasionally, these features help us to distinguish<br />

what a culture finds to be different. Thus, a certain character may become the allegory<br />

of those we consider different and laughable. Once we recognise which social groups<br />

are the butt of jokes we will understand who are disliked or considered as inferior by a<br />

society in a specific time.<br />

First, in these four films there is at least one Spanish character. In Calzonzin<br />

Inspector the Spaniard wears a beret, has bushy eyebrows, and smokes a cigar. They<br />

also have small businesses as in Calzonzin Inspector where the Asturian Don Fiacro<br />

owns a cantina called ‘El Sanatorio’. In El Águila Descalza, the Spaniard has a general<br />

store. In both films these men are disrespectful and condescending to Mexicans.<br />

However, when they try to mistreat the comic characters, whom they consider inferior,<br />

they themselves suffer humiliation and punishment.<br />

When Poncho tries to return his neighbour’s spoilt milk to Don Alejo, the<br />

Spaniard in El Águila Descalza, they start arguing in a very interesting sequence, not<br />

only for the dialogues, but also for the visual scene:<br />

Don Alejo (DA): Y dile a esa hija de la mala vida...<br />

210<br />

Poncho: Hijo de la mala vida será usted, explotador de mujeres<br />

indefensas.<br />

DA: ¿Explotador yo? Mira que se está rifando una hostia y tú tienes<br />

todos los boletos.<br />

P: ¡Pues aviéntate hijo de Hernán Cortés, que aquí está tu arbolote de la<br />

noche triste!<br />

DA: ¡Y tú, indio emplumado, hijo de la gran… Tenochtitlán!<br />

Chona: ¡A mucha honra!<br />

P: Puritita raza de bronce.

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