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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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case of Excélsior showed. 50 So, part of the humour of Los Agachados, the political<br />

comic book by Rius, is the fact that the author is pointing out the faults of the Mexican<br />

government, making fun of those in power, expressing the thoughts of Mexicans. In<br />

1972, the front page of the comic questioned the apertura democrática of the president,<br />

Luis Echeverría Álvarez by asking ‘¿Apertura democrática… o demagógica?’ and<br />

portraying Echeverría as an angel and a devil. 51<br />

We recognise the person he is portraying, with his exaggerated caricature;<br />

however, readers in the early 1970s would also notice that the cartoon dealt with a<br />

banned topic, and a figure who was meant to be beyond ridicule. In this case, laughter<br />

brings pleasure through the release of energy that had been used to contain that<br />

forbidden thought against the president; laughter arises because it has addressed a<br />

censored topic. As we can see, ‘humour has a therapeutic as well as a critical function<br />

with respect to society’, 52 because through it we find a way to express topics which we<br />

repress, in a socially acceptable manner.<br />

Image unavailable due to<br />

copyright restrictions<br />

Image 1.2. ‘Luis Echeverría Álvarez’. Eduardo del<br />

Río ‘Rius’, Los Agachados (n.d.) (in colour)<br />

The comedian or the person who tells the joke expresses those ideas which are<br />

stressful or forbidden. During this act of humour, the listener becomes distanced ‘from<br />

50<br />

The Excélsior affair, in which this newspaper was targeted by the government and the private sector, is<br />

discussed in chapter two.<br />

51<br />

Eduardo del Río ‘Rius’, Los Agachados 115.<br />

52<br />

Critchley, On Humour, p. 10.<br />

25

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