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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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countercultural manner of speech. 8 Thus, although some of the stories are merely<br />

fantastic or the main topic is related with a mystery or a crime, it is interesting to<br />

observe how the characters communicate and the places in which the stories occur.<br />

As just mentioned, after Brujerías was banned, the image of Hermelinda Linda<br />

was completely caricaturised when she became the hero of her own comic book, and her<br />

cartoon features were more exaggerated than the rest of the characters, who had more<br />

human-looking characteristics. The witch lives in the neighbourhood called Bondojito,<br />

an area in Mexico City which was at that time, -since the city has grown plenty in the<br />

last years, on the Northern periphery. That part of the city was not wealthy, and the<br />

people who lived there belonged to the working class and this is portrayed in the comic.<br />

Although a real neighbourhood was used to locate the stories, it would be possible to<br />

imagine the place as fictitious. However, throughout the issues there are multiple<br />

references to Mexico City, 9 which points the reader to the fact that the stories take place<br />

there.<br />

Hermelinda’s house is next to a cemetery in a still undeveloped area where the<br />

streets have no pavement and lack some essential services such as electricity. Besides<br />

earning money preparing witchcraft for anyone who can afford it, Hermelinda works<br />

taking care of the graves by keeping them in good condition, and charging monthly the<br />

relatives of the deceased for this service.<br />

There are no impossible tasks for Hermelinda and she does not have moral<br />

issues about what her witchery is required as long as the client pays the fees. However,<br />

Hermelinda knows that those who deserve it, will pay for their pernicious acts, and her<br />

8 As when a spoiled young man says to his father: ‘Déjame aquí, vetarro’ and ‘¡Con mucho susto, mi<br />

‘viernes”…! Using vetarro and viernes as a way to refer to the father (Viejo), and ‘Con mucho susto’<br />

instead of ‘con mucho gusto’. Hermelinda Linda, 377.<br />

9 As some examples, in issue 364 the main characters go to Chapultepec, a famous park in Mexico, or in<br />

issue 370-15 one of the characters is saying where her lover lives mentioning different actual<br />

neighbourhoods in the city.<br />

80

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