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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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feeling better than someone else, 107 and the other one with the idea of the relationship<br />

between the ego and the super-ego. 108 We will start by showing how a feeling of<br />

superiority was used in the sources to discuss different social and political topics,<br />

understanding superiority as placing oneself above others and finding funny those who<br />

are different and ostensibly inferior. 109<br />

Superiority<br />

The way that the police is criticised in Hermelinda Linda brings us pleasure and relief<br />

when they are represented as the way that society understands, namely, as corrupt. The<br />

police abuses citizens through acts of corruption, such as in an issue in which a woman<br />

visits her son-in-law in jail, trying to deliver a basket of food. The son in law cannot be<br />

visited because he is in the infirmary, so she must leave the basket with the guard. She<br />

asks the policeman not to eat the food, and he replies: ‘Ni siquiera lo probaría... si me da<br />

una “corta”...’. 110 Afterwards the lady pays some money, asking the policeman to<br />

overcome temptation, and he replies: ‘Por cincuenta “locos”, soy capaz de quedarme sin<br />

comer siete días…’ 111 The way in which the characters openly discuss corruption might<br />

be funny because it is unreasonable and distorted. But the policeman’s lack of dignity,<br />

in first asking for money not to eat the food and later mentioning that for that amount of<br />

money, which is very little, he would not eat for a week, is an example of superiority<br />

theory. The reader feels superior both because he/she would not participate in such an<br />

open act of corruption, and also because he/she would not promise to stop eating for<br />

seven days just for money. These actions denigrate the policeman and set the reader<br />

107<br />

Such as Bergson, Critchley, Zupancic, Eco.<br />

108<br />

Such as Freud.<br />

109<br />

Thomas Hobbes mentioned by Simon Critchley, On Humour (London, New York: Routledge), p. 12.<br />

110 Hermelinda Linda, 363, p.20.<br />

111 Ibid., p. 21.<br />

114

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