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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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analysing or judging their actions, and they are also absentminded, 64 they did not<br />

realise that Calzonzin was an impostor. The policemen talk openly about their abuse of<br />

power, Mayor Don Perpetuo del Rosal uses various silly methods to convince Calzonzin<br />

that San Garabato is well governed. Their actions are, as Bergson proposes, directly<br />

related to social life although they are indeed insufferable for society. 65<br />

Image unavailable due to copyright<br />

restrictions<br />

Image 4.3. ‘Calzonzin and Don Perpetuo del Rosal’. Calzonzin<br />

Inspector, dir. by Alfonso Arau (1973) (in colour)<br />

The incongruity of Mecánica Nacional and Tívoli also speaks of social and political<br />

criticism. 66 However, there are examples of innocent humour too. In Mecánica<br />

Nacional, the language of humour is established at the beginning when we see a group<br />

of men painting the finishing line for a car race on the highway. Suddenly an ambulance<br />

passes and spoils part of their work, and the painters whistle and curse the ambulance.<br />

We might enjoy their misfortune, or feel sorry or upset about it, but the unexpected<br />

situation develops the comedy of the film as well. In the next scene, we see the front of<br />

the garage that belongs to Eufemio. The facade says: ‘Afinaciones científicas’, referring<br />

to the method that is used to tune cars. We would not expect to describe a tune-up as<br />

‘scientific’, and putting them together is an incongruity. These incongruities can be<br />

considered as indications (which Francesco Casetti and Federico Di Chio understand as<br />

64 Bergson, Laughter. An Essay… pp. 138-147.<br />

65 Ibid., pp. 171-172.<br />

66 Freud would suggest that the humour in these films is tendentious, since it is not innocent, it tries to<br />

attack or reveal a truth. Freud, El chiste y su relación con lo inconsciente, trans. by Luis López<br />

Ballesteros y de Torres (Madrid: Alianza Editorial, 2000), p. 93.<br />

180

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