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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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sistema de valores, pero por lo menos nos obliga a reconocer su existencia’. 163 To notice<br />

the fault, does not force us to admit our destiny, but uncovers the broken rule, as if we<br />

belonged to a distorted reality such as the one portrayed in the comic. Sadly, that is<br />

exactly how Mexican reality is portrayed.<br />

In Los Agachados, Licenciado Trastupijes wants to jail the hippies who are in<br />

Chayotitlán. Nopalzin is arrested because he looks just like a hippy: ‘…son unos<br />

greñudos que andan con guitarras y en fachas medio raras.’ 164 When he is presented to<br />

Trastupijes, Trastupijes tries to speak to him in English believing that Nopalzin is a<br />

foreigner. Nopalzin starts making fun of Trastupijes by saying random words and<br />

sentences in English that are related with products or well-known slogans. In this case,<br />

Nopalzin is making fun of the authority, a violation of a norm since we would not<br />

behave like that if we were arrested. The licenciado is also shown as absentminded, not<br />

recognising his fellow citizen, not a flattering description for the authority. But even<br />

when Nopalzin is in trouble we might not be concerned about his luck. This may be<br />

because he is an animalistic character who deserves his fortune, or because we<br />

understand that comic characters are indestructible as discussed in chapter one, and we<br />

trust that misfortunes will be overcome.<br />

In chapter one, we saw that in order to recognise the violation of a rule, it is<br />

essential to recognise the code that has been broken. When Borola wants to fly in Floro<br />

Tinoco’s personal plane, a small plane in which Floro can hardly squeeze, Floro refuses.<br />

Borola gets angry with him and complains by saying: ‘¡Egoísta, mal amigo,<br />

comunista!’ 165 The plane, Floro and the scene itself are illogical because of the<br />

proportions of the plane and Floro, and the idea of a personal mini-plane being used in<br />

163 Eco, ‘Los marcos de…’, p. 17.<br />

164 Rius, Los Agachados de Rius… p. 50.<br />

165 La Familia Burrón, 16950, p. 7.<br />

135

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