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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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time: Regino Burrón and his demanding and eccentric wife Borola Burrón. 15 It was in<br />

1948, while Vargas was working on Los Superlocos, that he created another comic<br />

which would became the longest-running ever in Mexican comic book history. The hero<br />

of the story was Regino Burrón and his family, and the publication was named ‘El<br />

Señor Burrón, o vida de perro’. It changed its name in 1953 16 and became La Familia<br />

Burrón -la serie más longeva, influyente y reconocida de la historieta Mexicana- 17<br />

whose main characters were members of this lower class family. They included Regino<br />

Burrón, a conservative-minded barber; his wife Borola, a housekeeper who constantly<br />

tries to earn money and liberate herself from social oppression; and their children,<br />

Reginito, Macuca, and later their adopted child, Foforito.<br />

The comic became a success right away. The weekly publication run varied from<br />

70,000 to 110,000 copies, 18 although the print run even reached half a million issues 19<br />

15 Juan Manuel Aurrecochea Hernández. ‘Los Superlocos – Pepín’<br />

[accessed 16 May 2011]<br />

16 Aurrecochea Hernández,’ El Señor Burrón o vida de perro’<br />

[accessed 16 May 2011]<br />

17 Armando Bartra, ‘Debut, beneficio y despedida de una narrativa tumultaria. Piel de papel. Los pepines<br />

en la educación sentimental del mexicano’, Revista de Estudios Latinoamericanos sobre la historieta, 2, 1<br />

(2001), pp. 67-90.<br />

18 Harold E. Hinds and Charles Tatum, ‘Images of Women in Mexican Comic Books’, Journal of Popular<br />

Culture, 1,18 (1984), p. 154.<br />

Image unavailable<br />

due to copyright<br />

restrictions<br />

Image 3.2. ‘La Familia Burrón’. Gabriel Vargas, La<br />

Familia Burrón (19 Decemeber 1980) (in colour)<br />

83

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