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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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‘Tenemos que darle al pueblo la nueva imagen del gobierno: que ya no odien a la<br />

policía..’. 206<br />

The performance of the army is also strongly criticized in Los Agachados. When<br />

Rius is wondering what exactly Echeverría’s Apertura Democrática is, he discusses the<br />

role of the army, and how it abuses citizens. A caption reads: ‘Y prosiguen las<br />

detenciones arbitrarias, las golpizas, torturas y amenazas a miembros de la<br />

oposición...’. 207 The frame is illustrated with a soldier who looks like Adolph Hitler,<br />

with the same moustache and hair. In this case, the incongruity is that something<br />

unexpected is inserted in the narrative : the image. By recognising the element that does<br />

not correspond, we understand the joke. However, in this case, the element that distorts<br />

the image has political implications, and by recognising Hitler, we understand that the<br />

author considers Mexican soldiers to have behaved in similar ways, such as violating<br />

human rights. The caption makes this plain. The violence of the soldiers is confirmed in<br />

a previous issue when Professor Hans explains that the government has not found a way<br />

of conducting a dialogue with the students - only violence – and the frame shows a<br />

soldier wearing a gas mask beating a student. 208 The pleasure and relief are similar to<br />

what was previously described, such as discussing army violence through an act of<br />

humour: since it is a taboo topic, the enjoyment from insulting them will be greater. It is<br />

a safe way to discuss the issue, and perhaps the only harmless way, to take revenge on<br />

this wrongdoing.<br />

Even though Hermelinda Linda and La Familia Burrón do not speak about<br />

paramilitary groups and secret police, in Los Agachados the reference is<br />

straightforward. In the issue in which the 1971 attack against students is discussed, Rius<br />

206 Los Agachados, 71, p. 4.<br />

207 Los Agachados, 115, p. 12.<br />

208 Los Agachados, 77, p. 20.<br />

150

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