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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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classified jokes and humour and described the features that make us laugh, similar to<br />

some of those mentioned above. However, he also reflected on the relationship between<br />

humour and the unconscious.<br />

For Freud the most relevant content in the joke is the pleasure it produces, 40 and<br />

although he was focusing on jokes, the same pleasure can be obtained in any act of<br />

humour under the right conditions. Jokes are a socially acceptable way to gain<br />

pleasure. 41 He compares dreams and jokes: ‘el sueño se encamina predominantemente al<br />

ahorro de displacer, y el chiste, a la consecución de placer’. 42 So, while dreaming helps<br />

us avoid distress, jokes give us comfort and relief. Freud suggests that three people<br />

might participate in a social comic act: one who, through the act of humour, ‘develops’<br />

what was unseen or unmentioned (such as someone’s fault), the person that the joke is<br />

referring to, and the one who witnesses the act and gets pleasure from it. The second<br />

participant is not always necessary if the joke does not target the fault of someone or<br />

something. 43 However, we will examine all three Freudian participants since our case<br />

studies would be labelled under his terminology as hostile or tendentious.<br />

Adults live with stressful demands in a world with a specific moral code;<br />

laughing is a release mechanism. Because society represses some of our impulses,<br />

laughing is a social and psychological relaxation. According to Purdie, in an act of<br />

humour we recognise the forbidden as permitted, a ‘marked Symbolic transgression, as<br />

well as permitted Imaginary play’. 44 Humour is a defence mechanism or safety valve<br />

for our own fears and repressions, because those situations, topics, or facts which we are<br />

not allowed to mention in our daily lives are aired through humour and are temporarily<br />

40<br />

Freud, El chiste y su relación… p. 27.<br />

41<br />

Ibid., p. 180.<br />

42<br />

Ibid., p. 181.<br />

43<br />

Ibid., pp. 181-182.<br />

44<br />

Purdie, Comedy: the Mastery… p. 43.<br />

23

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