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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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Abuse of power<br />

Just as in the previous chapter, I will now trace how humour, with the support of the<br />

mechanisms of incongruity and exaggeration, aims to be a corrective by portraying<br />

abuses of power. Like in the comics, the authorities come in for sharp criticism. They<br />

are portrayed as people who take advantage of their superior position for their own<br />

benefit.<br />

In Calzonzin Inspector, Don Perpetuo gives instructions to the policemen about<br />

the actions that should be taken to impress the supposed inspector: ‘Pónganme en la<br />

sombra a los opositores, rojillos, borrachos y feos’, 83 he commands. He yells and his<br />

movements are exaggerated. His order to imprison those who are ugly is absurd and<br />

arbitrary. It is unexpected. But beyond the elements that make us laugh, we also notice<br />

that official abuse is clearly portrayed. Don Perpetuo articulates no legal reason for<br />

jailing these people. He adds as he brandishes a gun: ‘No’más me fallan y ¡los espero en<br />

el presupuesto!’ 84 In this scene we witness various abuses of power, threats with a<br />

firearm and threats to manipulate the bureaucracy and the finances at whim. We know<br />

that this is an exaggeration of the real world, but it helps us criticise the authorities and<br />

to use our laughter as a mechanism of protest. 85<br />

83<br />

Arau, Calzonzin Inspector, 1973.<br />

84<br />

Ibid.<br />

85<br />

Rafael Barajas Durán ‘El Fisgón’, Sólo me río cuando me duele (México: Editorial Planeta, 2009), p.<br />

20.<br />

Image unavailable due to<br />

copyright restrictions<br />

Image 4.4. ‘Don Perpetuo with a basket on his head’. Calzonzin<br />

Inspector, dir. by Alfonso Arau (1973) (in colour)<br />

186

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