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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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Machismo is another topic which emerges. It is no surprise since ‘el machismo<br />

mexicano marca la cultura del país en casi todos los niveles, y esto incluye el humor’. 65<br />

Hence the ‘macho’ is a common and traditional figure in the Mexican imaginary. In<br />

fact, his usual representation tends to be caricatured and exaggerated, such as ‘El Charro<br />

Matías’ of Abel Quezada, or the characters performed by Andrés Soler like ‘Andrés<br />

Parra’ in El Ceniciento, or ‘Laureano’ in La Oveja Negra, during the golden age of<br />

Mexican Cinema. La Familia Burrón reflects machismo in Mexico very well. Borola<br />

constantly confronts her traditional-minded husband Regino, demanding more freedom<br />

and, Borola tries to liberate her female neighbours from the oppression they suffer from<br />

their abusive husbands. Nevertheless, her absurd actions are doomed to fail. On many<br />

occasions she will admit to her submissive role as a Mexican woman and to the fact that<br />

her thoughts are influenced by machismo.<br />

In one of her adventures, Borola considers that the women in her vecindad are<br />

suffering too much abuse at the hands of their husbands and she wants to help them to<br />

overcome their misery. 66 But Borola thinks that the same women are the ones to blame<br />

for this abuse since they do nothing to make themselves look more attractive to their<br />

partners, a macho point of view. Borola’s solution is very interesting because it contains<br />

a good dose of incongruity and exaggeration: she thinks that the ladies should dress as<br />

‘playmate bunnies’. She designs fancy rabbit dresses, which, in fact, make them look<br />

exactly like rabbits. So her solution to their problem is unsuccessful, and even some of<br />

the women are punished by their partners for dressing in such a strange manner.<br />

Another example of machismo occurs in this same issue, when a man arrives home for a<br />

visit. His wife comments: ‘¡Betito, qué gusto me da que vengas a la casa! Como mis<br />

65 Rafael Barajas Durán, Sólo me río cuando me duele. La cultura del humor en México (Mexico:<br />

Editorial Planeta Mexicana, 2009), p. 106.<br />

66 La Familia Burrón, 17165.<br />

101

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