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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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authorities ought to be to respect and serve those who they govern, therefore to see how<br />

they look down on their constituents causes anger. But the over-emphasis of the<br />

character faults of Don Perpetuo makes it easier to digest his attitude. Don Perpetuo<br />

prefers his citizens to be enjoying the festival than raising political issues, and when<br />

they begin throwing sacks of coloured dust at him, he furiously takes out his gun and<br />

condemns this enjoyment at his expense. We enjoy the punishment he receives by<br />

imagining ourselves among the crowd, throwing objects at him. If Don Perpetuo<br />

embodies all the politicians we despise, so much the better.<br />

As discussed, humour helps us to cope with adverse reality since it establishes a<br />

distance between the source of our discomfort and ourselves. Thus, in humour, some<br />

actions and situations are tolerated and this works in different directions:<br />

� We tolerate situations in which the characters suffer abuse or misfortune<br />

because we put to one side our emotions (Bergson), we understand that the actions are<br />

performed in a fictional world which is indestructible (McGhee, Paton, Zupancic), or<br />

we break the link that connects us with the character or the situation (Critchley). We<br />

may also enjoy the adversity of the comic character because we feel superior or we do<br />

not sympathise with him/her (Eco).<br />

� To make fun of the authorities or those who cause us discomfort is welcome<br />

because someone is doing to them what we would like to do but dare not because we<br />

know the consequences (Freud), and we feel avenged. The feeling of victory is even<br />

greater if we identify ourselves with the comic character (Bergson) who is punishing<br />

them, and if we identify the butt of the joke as our real antagonist (Freud).<br />

� We can see these theories in practice in another sequence from Calzonzin<br />

Inspector. When finally the ‘real’ people from San Garabato approach Calzonzin,<br />

believing he is an inspector, they complain about Don Perpetuo and his policemen:<br />

208

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