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Leticia Neria PhD thesis - Research@StAndrews:FullText ...

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magic will punish those who are hurting others, sometimes by a side effect that the<br />

person will need to be aware of, and which is always mentioned by Hermelida. In fact,<br />

Hermelinda enjoys the misfortune of those who wanted to use sorcery to harm or kill<br />

others.<br />

The witchcraft always works and helps attain the goal; however, an outcome<br />

often turns the potion against the person who is using it, or against someone who is<br />

committing a crime. In the issue in which a man gets some chewing gum which forces<br />

people to tell the truth, 10 the man realises that his son is a liar who has skipped school<br />

and that his wife is unfaithful. The man cannot handle all this truth and dies. In the next<br />

issue, the adulterous wife is killed by her lover. So, it is through these unexpected<br />

reactions, or through the side effects that Hermelinda warned about, that the user of the<br />

magical potion will discover a reality that maybe he/she did not want to learn, such as<br />

the secret feelings of the wife in the previous example. Also those who act wrongly will<br />

be punished, and this punishment is somehow related with the witchcraft. Therefore<br />

there is always a lesson to learn, and we realise that, although we would love to use<br />

sorcery to solve our biggest problems, there is a risk involved and is always better to<br />

fight to reach our own aims instead of trying to find the easiest solution. Furthermore,<br />

by observing how the wicked characters suffer the consequences of their acts, we might<br />

learn that wrongdoing is always penalised. 11<br />

The use of humour is very important in this comic book, since the topics that are<br />

discussed can be cruel, serious, and even violent. Without witty comments and comical<br />

situations, the content of the plots could be compared to that of the gutter press but with<br />

caricatured images. Humour as a narrative tool changes the mood of the content and<br />

10 Hermelinda Linda, 372, 373.<br />

11 Personal communication with Óscar González, 15 July 2010.<br />

81

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