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THE AFRIKA FILMFESTIVAL,<br />

PANGAEA AND FEMINIST SOCIETY PRESENT<br />

THE FRUITLESS TREE<br />

FILM & ROUND TABLE DISCUSSION<br />

24 APRIL 2018<br />

“From Above, and around<br />

Eyes that say<br />

I haven't found<br />

A purpose for<br />

This fruitless tree<br />

All I am now, an ornament you see<br />

But what grows inside of me<br />

It's not what you think,<br />

It's not what you think First life I give<br />

It is to me.” – Marianna Rousaki<br />

AN EVENING DEDICATED TO DISCUSSING HOW FEMALE BODIES ARE STILL SEEN<br />

AS FUNCTIONAL TOOLS AND NOT ENTITIES IN THEMSELVES. WHAT ARE THEN,<br />

THE PSYCHOLOGICAL AND SOCIETAL CONSEQUENCES FOR INFERTILITY?<br />

THE FRUITLESS TREE by Aïcha Macky. The director Aicha Macky turns the lens<br />

on herself and her struggle with infertility. Married but childless, her circumstance<br />

is judged unacceptable in her native Niger. In her conservative society, women are<br />

always getting blamed for infertility, Macky bravely addresses the taboo of childlessness<br />

and the stigma women like her must endure while finding a way to affirm<br />

herself as a fulfilled individual among mothers.<br />

PANELISTS:<br />

Sabrine Ingabire is a published writer, freelance journalist, columnist and law student.<br />

In 2017, she was elected as a youth adviser for the Vlaamse Jeugdraad (2018-2020). Her<br />

main focus as an activist is the fight against inequalities: she writes about human rights,<br />

feminism, and the struggle against racism.<br />

Dorothy Abea considers herself an advocate for sexual and reproductive health of<br />

women. She studies International relations and diplomacy at the University of Antwerp.<br />

She dedicates her spare time as an HIV prevention worker at the Institute for Tropical<br />

Medicine. Besides from that she also works for Sensoa, the Flemish centre of expertise<br />

regarding sexual health.<br />

Rose-Myrtha Fortuna Dorsant was born in Ayiti on the 8th of June in the year 1996. In<br />

1998 she was adopted by two Belgian parents who named her Myrtha Vercammen. She<br />

wore this name without questioning until she was 18 years old, still she never lost interest<br />

in her own cultural and ethnic identity. This interest stimulated her into researching<br />

topics such as racism, imperialism and decolonisation. A research which resulted in<br />

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