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THE AFRIKA FILMFESTIVAL,<br />
PANGAEA AND FEMINIST SOCIETY PRESENT<br />
THE FRUITLESS TREE<br />
FILM & ROUND TABLE DISCUSSION<br />
24 APRIL 2018<br />
“From Above, and around<br />
Eyes that say<br />
I haven't found<br />
A purpose for<br />
This fruitless tree<br />
All I am now, an ornament you see<br />
But what grows inside of me<br />
It's not what you think,<br />
It's not what you think First life I give<br />
It is to me.” – Marianna Rousaki<br />
AN EVENING DEDICATED TO DISCUSSING HOW FEMALE BODIES ARE STILL SEEN<br />
AS FUNCTIONAL TOOLS AND NOT ENTITIES IN THEMSELVES. WHAT ARE THEN,<br />
THE PSYCHOLOGICAL AND SOCIETAL CONSEQUENCES FOR INFERTILITY?<br />
THE FRUITLESS TREE by Aïcha Macky. The director Aicha Macky turns the lens<br />
on herself and her struggle with infertility. Married but childless, her circumstance<br />
is judged unacceptable in her native Niger. In her conservative society, women are<br />
always getting blamed for infertility, Macky bravely addresses the taboo of childlessness<br />
and the stigma women like her must endure while finding a way to affirm<br />
herself as a fulfilled individual among mothers.<br />
PANELISTS:<br />
Sabrine Ingabire is a published writer, freelance journalist, columnist and law student.<br />
In 2017, she was elected as a youth adviser for the Vlaamse Jeugdraad (2018-2020). Her<br />
main focus as an activist is the fight against inequalities: she writes about human rights,<br />
feminism, and the struggle against racism.<br />
Dorothy Abea considers herself an advocate for sexual and reproductive health of<br />
women. She studies International relations and diplomacy at the University of Antwerp.<br />
She dedicates her spare time as an HIV prevention worker at the Institute for Tropical<br />
Medicine. Besides from that she also works for Sensoa, the Flemish centre of expertise<br />
regarding sexual health.<br />
Rose-Myrtha Fortuna Dorsant was born in Ayiti on the 8th of June in the year 1996. In<br />
1998 she was adopted by two Belgian parents who named her Myrtha Vercammen. She<br />
wore this name without questioning until she was 18 years old, still she never lost interest<br />
in her own cultural and ethnic identity. This interest stimulated her into researching<br />
topics such as racism, imperialism and decolonisation. A research which resulted in<br />
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