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Thinking black; 22 years without a break in the long grass of Central ...

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"OWN UP AND PAY UP' 121<br />

celebrants roar<strong>in</strong>g <strong>the</strong>mselves hoarse under <strong>the</strong> fig-trees.<br />

Though <strong>the</strong>y dance <strong>in</strong> <strong>the</strong>ir nudity under a fig-tree, <strong>the</strong>y<br />

seem quite unconscious <strong>of</strong> <strong>the</strong> ancient application <strong>of</strong> fig-<br />

leaves, and certa<strong>in</strong>ly <strong>the</strong>y have more need <strong>of</strong> a cover<strong>in</strong>g<br />

<strong>of</strong> fig-leaves than fig-trees. Enemy <strong>of</strong> daylight and<br />

decent liv<strong>in</strong>g, <strong>the</strong>re goes <strong>the</strong> midnight noise <strong>of</strong> <strong>the</strong> drums<br />

echo<strong>in</strong>g to <strong>the</strong> roar <strong>of</strong> <strong>the</strong> danc<strong>in</strong>g Luvale, and <strong>the</strong> native<br />

proverb hits <strong>of</strong>i" <strong>the</strong> dual empt<strong>in</strong>ess <strong>of</strong> both drum and<br />

drummer : " A drum only sounds because it is empty."<br />

Nor is this music mellowed and harmonised by distance.<br />

The native has his drum so near that it seems to be stuck<br />

<strong>in</strong> your drum <strong>of</strong> <strong>the</strong> ear—a pandemonium <strong>of</strong> music. Be<br />

vigilant, for this midnight drumm<strong>in</strong>g is on <strong>the</strong> same<br />

pr<strong>in</strong>ciple (or lack <strong>the</strong>re<strong>of</strong>) that a band <strong>of</strong> thieves burgles a<br />

London house while one <strong>of</strong> <strong>the</strong>ir " pals " plays an Italian<br />

barrel-organ at <strong>the</strong> gate to draw <strong>of</strong>i" attention. Aga<strong>in</strong><br />

and aga<strong>in</strong>, <strong>the</strong>se Luvale folks have unthatched a hut<br />

under cover <strong>of</strong> <strong>the</strong> noise and decamped with a truss <strong>of</strong><br />

calico. At Nal<strong>in</strong>gombe we lost, not merely a bale <strong>of</strong><br />

calico, but also <strong>the</strong> next needy day <strong>of</strong> delay " talk<strong>in</strong>g" <strong>the</strong><br />

<strong>the</strong>ft palaver—bale lost, day lost, temper lost. Tried <strong>in</strong> a<br />

lull to barter some local curios, my predilection be<strong>in</strong>g for<br />

combs and bead-work ;<br />

but <strong>the</strong>y edged away, glanc<strong>in</strong>g with<br />

open animosity, after almost clos<strong>in</strong>g with my <strong>of</strong>ier. Depend<br />

on it, <strong>in</strong> Luvale a collector <strong>of</strong> curios seems to <strong>the</strong> native<br />

to be himself <strong>the</strong> qua<strong>in</strong>test curio <strong>in</strong> his whole collection.<br />

{ISth September.)<br />

What is all <strong>the</strong> delay about? The answer is that<br />

what we are really do<strong>in</strong>g is "buy<strong>in</strong>g <strong>the</strong> road." You

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