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Thinking black; 22 years without a break in the long grass of Central ...

Thinking black; 22 years without a break in the long grass of Central ...

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360 THINKING BLACK<br />

m<strong>in</strong>utes represent<strong>in</strong>g as many dissolv<strong>in</strong>g shades <strong>in</strong> <strong>the</strong><br />

s<strong>of</strong>ten<strong>in</strong>g scheme <strong>of</strong> colour : step by step, shade by shade,<br />

work<strong>in</strong>g up from monochrome through t<strong>in</strong>t after t<strong>in</strong>t,<br />

through rose <strong>in</strong>to pale lemon, through sea-green <strong>in</strong>to <strong>the</strong><br />

ultimate azure. Tell me, please, is pla<strong>in</strong> Peter Bell my<br />

negro neighbour tak<strong>in</strong>g it all <strong>in</strong> as he looks moodily at<br />

vacancy ? Apparently, I am observ<strong>in</strong>g while he is only<br />

see<strong>in</strong>g, for a beam <strong>of</strong> light <strong>in</strong> <strong>the</strong> eye is not charged with<br />

thought, is it ? Or can it be that he, a landsman, is<br />

th<strong>in</strong>k<strong>in</strong>g <strong>of</strong> this Lake as <strong>the</strong> murderer <strong>of</strong> fishermen <strong>in</strong><br />

<strong>the</strong>ir coggly dug-outs, <strong>the</strong> red sunrise symbolic <strong>of</strong> <strong>the</strong><br />

red blood <strong>of</strong> its victims ? To him this pa<strong>in</strong>ted poetry is<br />

<strong>the</strong> pla<strong>in</strong>est <strong>of</strong> pla<strong>in</strong> prose, for <strong>in</strong> cruelty this Lake is fel<strong>in</strong>e.<br />

It licks your feet and purrs very pleasantly, but it will<br />

crack your bones for all that—<strong>the</strong>n wipe its foam<strong>in</strong>g lips<br />

as if naught had happened. But <strong>the</strong> grandest bit <strong>of</strong><br />

Geography <strong>in</strong> <strong>the</strong> whole landscape is <strong>the</strong> glorious West<br />

side, away up North towards Luanza, where <strong>the</strong> sharp<br />

headlands have given <strong>the</strong> West marshes <strong>the</strong> slip. Ris<strong>in</strong>g<br />

sheer from <strong>the</strong> Lake, <strong>the</strong>se bluffs are seen buttress<strong>in</strong>g <strong>the</strong><br />

whole North-Western Coast, dozens <strong>of</strong> little streams vy<strong>in</strong>g<br />

with each o<strong>the</strong>r how to leap over <strong>the</strong> cliff gracefully with<br />

waterfalls like a white mare's tail. The last <strong>of</strong> <strong>the</strong>se is a<br />

gaunt spike <strong>of</strong> headland called Chipuma, a<strong>long</strong>side which<br />

<strong>the</strong> river Luanza flows <strong>in</strong>to Mweru—our home <strong>in</strong> <strong>the</strong> far<br />

future.<br />

But <strong>in</strong> Africa you too, like pla<strong>in</strong> Peter Bell, must get<br />

all your poetry out <strong>of</strong> <strong>the</strong> prose <strong>of</strong> life. So <strong>of</strong>f we go<br />

jolt<strong>in</strong>g down <strong>the</strong> hillside, head<strong>in</strong>g for <strong>the</strong> first town <strong>in</strong>

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