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Against the Wind - National Air Traffic Controllers Association

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A Logo is Born<br />

Like many of NATCA’s founders, <strong>the</strong><br />

union’s logo traced its heritage to<br />

AATCC. In <strong>the</strong> fall of 1984, Howie Barte<br />

took a break from<br />

drumming up support<br />

on <strong>the</strong> phone<br />

one day to sketch<br />

out a logo for New England’s<br />

monthly newslet- ters.<br />

The circular<br />

artwork paid hom- age<br />

to centers and<br />

TRACONs with its<br />

dotted and crosshatched<br />

lines and<br />

o<strong>the</strong>r markings representing<br />

a radarscope, and was anchored<br />

by a control tower near <strong>the</strong> bottom.<br />

Influenced by his interest in “Star Trek,”<br />

he selected a computer-style typeface for<br />

<strong>the</strong> initials AATCC in <strong>the</strong> center.<br />

After <strong>the</strong> logo’s debut in <strong>the</strong> October<br />

edition of <strong>the</strong> New England AATCC<br />

Update, Barte collaborated with Kim<br />

Kochis, ano<strong>the</strong>r controller on his crew at<br />

Quonset TRACON. *<br />

Kochis, who loved to draw and<br />

<br />

paint, relied on graphic design skills she<br />

developed in high school. By <strong>the</strong> time<br />

Barte and Kochis were finished, concentric<br />

circles with a radar sweep<br />

had replaced <strong>the</strong> radar<br />

map. A tower cab rested<br />

atop <strong>the</strong> “T” in a series of<br />

simple block letters spelling<br />

AATCC.<br />

Barte presented<br />

<strong>the</strong> finished product for<br />

formal adoption at an<br />

AATCC regional representatives<br />

meeting in<br />

March 1985. But a few<br />

controllers argued that<br />

it didn’t adequately represent en route<br />

centers.<br />

Unwilling to change <strong>the</strong> design,<br />

Barte used it throughout <strong>the</strong> year in<br />

New England. When MEBA entered <strong>the</strong><br />

picture, he gave a copy to Thornton, who<br />

turned it over to <strong>the</strong> union’s graphic artist.<br />

The resulting logo, with red letters<br />

and blue lines, made Barte swell with<br />

pride when he saw it at NATCA’s first<br />

national meeting.<br />

Chapter 3: A Long and <strong>Wind</strong>ing Road<br />

The logo was subsequently trademarked<br />

in 1993, and in 2000 <strong>the</strong>n-President<br />

Michael McNally presented Barte<br />

with a plaque recognizing<br />

him for his efforts<br />

in creating <strong>the</strong><br />

union’s longstanding<br />

symbol.<br />

Noting that<br />

many companies<br />

change <strong>the</strong>ir visual<br />

identity as <strong>the</strong>y<br />

mature, Kochis says,<br />

“I’m surprised it’s<br />

held all <strong>the</strong>se years.”<br />

Two unsuccessful<br />

attempts to redesign <strong>the</strong> logo<br />

were made during <strong>the</strong> 1990s. To help<br />

ensure its enduring look, NATCA convention<br />

delegates in 2000 mandated<br />

that any changes must be approved by a<br />

majority vote at a convention.<br />

* Kochis later transferred to two o<strong>the</strong>r New England facilities<br />

before settling in at Raleigh-Durham Tower/TRACON in<br />

North Carolina in May 1995.<br />

71

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