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The Educator (Volume 45) - IAMPETH

The Educator (Volume 45) - IAMPETH

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'. should<br />

Teaching Letter Forms and Creating Interest<br />

in Handwriting<br />

By MYRA O. HERRICK, State Normal School, Ypsilanti, Mich.<br />

Young people in Junior High School and on through<br />

college get very little encouragement with their writing,<br />

in fact so little is done about it that they are no longer<br />

writing conscious. Practically all that has been accomplished<br />

through the grades is lost. Sometimes they confront<br />

us with the argument that they have to write so<br />

rapidly taking notes in lecture classes that it is impossible<br />

to write well. Of course, notes taken in class are<br />

to be read only by the wi-iter,<br />

each one could use shorthand.<br />

and it would be well if<br />

But when the notes ai-e<br />

to be written up in notebooks either for the instructor's<br />

inspection or for permanent reference, then the writing<br />

be legible and good. It is only courtesy to write<br />

I well when others have to read it. Sometime in our lives<br />

I we<br />

find it necessary to write, and write plainly, if no<br />

j more than to sign checks, and we should know how to do<br />

' it the correct way. <strong>The</strong> old idea that one's signature<br />

I case<br />

should be practically illegible is wrong. Even in the<br />

of attempted forgery, a very plain,<br />

signature is more difficult to imitate than<br />

irregular and illegible.<br />

well-wi-itten<br />

one that is<br />

<strong>The</strong>se are only a few arguments for good writing that<br />

might appeal to the young mind who in this age of typeand<br />

haste has forgotten his grade training in<br />

handwriting and has succumbed to the rather erroneous<br />

idea that good writing is not modern and not necessary.<br />

' writers<br />

<strong>The</strong> handwriting instructor of these modern, young<br />

people should appeal to them with a workable method.<br />

Give them something with which to help themselves.<br />

If one be puzzled as to letter formation, and young<br />

people often are these days, have some scheme whereby<br />

he can test his Jetters and at least approximately correct<br />

forms.<br />

<strong>The</strong> familiar oval or parts of it with the slant stroke<br />

passing through it form parts and in some cases all of<br />

the small letters of our alphabet. Show this to the class<br />

by numbering the important sections as per diagram.<br />

From this figure we get the most commonly used strokes.<br />

y 2 / ,<br />

Strokes<br />

3 ^. 2 / .<br />

3 ^-^/y=yny<br />

3 ^-^/^=X.yU<br />

Sometimes these strokes are longei as in<br />

3^^. 2 /3 ^ -^Jy<br />

Now a student may check his letters with this figure<br />

and reasonably approach correct form. If the letters<br />

slant too much it means they are taking their strokes<br />

from an oval that slants too much. Example of this:<br />

15<br />

Simple classification of heights of letters will aid<br />

students to think in terms of quarter, half and threequarter<br />

space heights. Use the blackboard to show these<br />

illustrations. Draw lines to represent the three-eighths<br />

inch spacing on paper usually used for handwriting lessons.<br />

Show a few quarter-space letters such as i, a, m,<br />

etc. <strong>The</strong>re are eleven of these and five more the same<br />

height above the line but that have one-half space loops<br />

below. Small r and s are slightly taller.<br />

^^ ^y .-t^t^t:^<br />

y^^y y>y yJy-<br />

^T^TTj<br />

Now have the class think of half-space letters. Usually<br />

they find d and t easily, but flounder when trying to find<br />

more of them. Show them small "p", writing the three<br />

letters so the class can see them together. Since there<br />

are only three half-space letters, give the students a key<br />

word which contains those three letters and no other<br />

tall ones, such as the word "stupid". It is helpful and<br />

easy to refer to a key word when in doubt.<br />

Next take up the three-quarter space letters. <strong>The</strong><br />

small "I" forms the foundation for all five of these<br />

1-letters as we may call them. <strong>The</strong> 1 is made first then<br />

something else added to it to make another letter, such as<br />

1 and v combined to make b; I and a hill from an n or<br />

m to make h, I and the loop of the small q to make f.<br />

If the I is not made clearly and well the other 1-letters<br />

viz. b, f, h, k, will be poorly made. That is, make a good<br />

foundation by crossing the two strokes of the 1 at the<br />

height of the small i.<br />

and the resulting letters will be sleek and streamlined<br />

as;<br />

Hy-<br />

when crossed too near the line, the letters will be awkward<br />

and bulky as;<br />

For these three-quarter space letters we can select a<br />

key word which contains all five, such as "halfback",<br />

and which will be easily recalled by the students.<br />

Frequent review of these helps will fix them in mind<br />

so the student will refer to them whenever he finds something<br />

wrong with his letters. It will help make \vm<br />

more wi-iting conscious and independent, and he will have<br />

the feeling of being able to remedy his mistakes, which<br />

is important to the young student as well as to the<br />

teacher.

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