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The Educator (Volume 45) - IAMPETH

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16<br />

Directions for Blackboard Practice<br />

B. C. E. Doner, State Teachers Colleges Bridgewater, Framingham, Salem, Massachusetts, Handwriting Department<br />

To write well upon the blackboard<br />

is not only an individual accomplishment<br />

for a teacher, but it is a duty<br />

a teacher owes to her pupils. It is<br />

therefore, important that a teacher<br />

be a good blackboard writer. Good<br />

writing is the result of clear thinking,<br />

purposeful pi-actice, and a strong determination<br />

to improve.<br />

This shows a good position at the board.<br />

—<br />

Stand well back from the board<br />

nearly at arms length—and do all<br />

erasing with the left hand. Never<br />

use a whole pietfe of chalk. If the<br />

chalk is sharpened a little bit it will<br />

give a clear, smooth line. Do the<br />

erasing both horizontally and vertically<br />

by using a rather slow firm<br />

motion. To erase with a quick<br />

thoughtless motion stirs up needless<br />

chalk dust. Avoid this. When writing<br />

use both shoulder and elbow motion,<br />

drawing all downward strokes<br />

at an angle of about twenty degrees<br />

to the right of the vertical for the<br />

correct slant. <strong>The</strong> hand should not<br />

touch the board. Aim at all times<br />

for a strong, firm white line that will<br />

carry well to the back of the room<br />

for easy reading by the pupils. Hard,<br />

dustless chalk is best for general<br />

practice. A firm uniform slant gives<br />

Lnd your pupils to the blackboard fnqnmtU in thlaterial<br />

can profitably be practiced first at the board<br />

definite amount of space and see that he stands erect<br />

character to the writing. Avoid a<br />

broad, thick line. Hold the chalk<br />

firmly, use a little pressure, and push<br />

the chalk along fluently with a regu-<br />

lated control of pauses and accelerations.<br />

Study the copy and fit the<br />

motion to the complexity or simplic-<br />

ity of the letter or word, but remember<br />

the fluent swing is the thing.<br />

First write with sureness and accu-<br />

racy, then develop speed. In lifting<br />

the chalk from word to word, re-<br />

volve it quickly in the fingers so as<br />

to write on the point or sharp edge<br />

for firm clear lines. When not actu-<br />

ally writing, release the grasp of<br />

holding the chalk to relax the fingers<br />

of the hand and arm. Keep the elbow<br />

well back from the board.<br />

To write horizontally straight, look<br />

a little to the left, then to the right,<br />

then pass the hand from left to right,<br />

so that when you do write the lines<br />

will be straight. Also, start with<br />

the \veight of the body on the left<br />

foot, gracefully shifting the weight<br />

to the right foot as you write. Keep<br />

directly in front of your writing.<br />

However, in illustrating before the<br />

class adjust your position so that the<br />

n i.in>hip .lass. New and difficult<br />

id then un paper. Give each pupil<br />

id swings the arm and body freely.<br />

pupils will see the act of writing. To<br />

write straight, step to the right at<br />

intervals. Write about in front of<br />

the eyes in general practice, varying<br />

this a few inches above and below the<br />

level.<br />

Lift-handtd students should be encouraged to<br />

write on the board because blackboard writing<br />

is easier than pen and ink work. <strong>The</strong>y<br />

should stand at arms length and look directly<br />

at the work.

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