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The Educator (Volume 45) - IAMPETH

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30<br />

<strong>The</strong> McGhee Studio<br />

Makers and Designers of<br />

FINE DIPLOMAS<br />

Estimates furnished<br />

143 East Stote Street<br />

Trenton, N. J.<br />

CTQDf Some of the best pen-<br />

•* " ^^' • manship teachers in the<br />

U. S. and Canada now agree that your<br />

writing reveals your personality. Our<br />

courses are approved by some of the best<br />

business educators who test their training<br />

every day. We will make you a $3.00<br />

analysis of your oiun writing for only<br />

$1.00, or send you an 8-page lesson and<br />

other literature free. Address, American<br />

Institute of Grapho-Analysis, Inc., Linn<br />

Creek, Mo. (^f'e came to this beauty<br />

spot by the Lake so you could come and<br />

visit us.)<br />

One of America's finest penmen—a sue- |<br />

cessful upervisor and CO ercial teacher<br />

of high scholastic standin e and with executive<br />

ability ar d experK nce avaUable<br />

NOW fc r September. Gi ve details of requiremer<br />

ts and sa ary. B ox 672. c/o <strong>The</strong><br />

Educatoi . Columbu s. Ohio<br />

THE COVER<br />

<strong>The</strong> cover design this month is<br />

by W. Leroy Newark of the Zaner-<br />

Bloser Co. Engrossing Studio.<br />

A YEAR'S SUBSCRIPTION<br />

Having been a steady subscriber<br />

to <strong>The</strong> <strong>Educator</strong> for twenty-three<br />

years, I want you to know that I<br />

consider it one of my very best<br />

friends. I eagerly await its arrival<br />

each month, because I enjoy tremendously<br />

seeing and reading the<br />

excellent material in it.<br />

In my opinion, many single issues<br />

are worth more than the price of the<br />

entire year's subscription.<br />

Norman Tower,<br />

Tower Penmanship Studio<br />

Denver, Colorado.<br />

ROUNDHAND<br />

Here is an alphabet for you to practice. In every alphabet you will find<br />

some letters which appeal to you and some which you may not like so well.<br />

<strong>The</strong> wise thing for you to do is to pick out the good parts of every specimen.<br />

Use an oblique penholder and a fine writer pen. Raise the pen always at<br />

the base line of every downward stroke.<br />

This type of writing should be crowded together solid. It should not have<br />

a running effect such as appears in business and ornamental writing. It<br />

depends upon strength and regularity for its beauty.<br />

By G. C. Greene

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