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The Educator (Volume 45) - IAMPETH

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14<br />

Handwriting Contributes to Business<br />

Talk given at National Association of<br />

iship Teachers and Supei-visors.<br />

Handwriting always has contributed<br />

to business, does now, and probably<br />

always shall. It has not been so<br />

many years ago that we began to hear<br />

from many quarters that handwriting<br />

was losing its importance since the<br />

typewriter had assumed such a prominent<br />

position in both our business<br />

and our social life. Back in other<br />

days, and some of us ai'e old enough<br />

to remember them, every pupil graduating<br />

from a commercial course in<br />

either a public or a private school<br />

was required to write a good hand.<br />

Ability to write a good muscular<br />

movement hand was one of the qualifications<br />

for every commercial teacher.<br />

In fact, some of the other qualifications<br />

were overlooked if the teacher<br />

was a good penman. Today the incoming<br />

commercial teacher, in too<br />

many cases, can not write a legible<br />

hand, and neither can the outgoing<br />

commercial graduate.<br />

This situation is probably due to<br />

several things. <strong>The</strong>re has been a<br />

failure to properly stress in the school<br />

the importance of good handwriting<br />

in the business world, and there has<br />

been a definite loosening up on our<br />

former strict standards. This is due,<br />

I believe, to the fact that so many<br />

communities have put in a program of<br />

handwriting in the grades. <strong>The</strong> commercial<br />

teachers and the school administrators<br />

have jumped to the conclusion<br />

that since the grades were now<br />

doing the job they no longer needed<br />

to concern themselves with it. <strong>The</strong>n,<br />

too, many believed the fallacy that<br />

handwriting was becoming a lost art.<br />

If this were not true, why would<br />

we almost always see on business<br />

forms and papers this slogan: "Please<br />

print name and address" ?<br />

In looking back to the days of high<br />

standards, I wish to recall the days<br />

of some seventeen years ago, when I<br />

was head of the commercial department<br />

of the high school in the city of<br />

your President. We had a teacher of<br />

handwriting in the commercial department,<br />

and she could teach penmanship,<br />

if nothing else. Seventy-five<br />

to eighty per cent of all the commercial<br />

pupils secured handwriting certificates,<br />

and those who didn't were<br />

not bad writers. I have looked back<br />

on this experience with the belief<br />

that this was about as ideal a situation<br />

as we could hope for.<br />

Those of us in business education<br />

are constantly listening to the businessman's<br />

lament: "Your product<br />

can't figure, can't spell, and can't<br />

write a legible hand". Judging from<br />

the happenings of the past ten years,<br />

it is doubtful if the businessman is any<br />

too good at figures. A number of<br />

studies seem to prove that pupils spell<br />

By Clyde B. Edgeworth, Supervisor<br />

of Commercial Education.<br />

Baltimore, Md.<br />

Clyde B. Edgeworth<br />

better today than they ever have, but<br />

when we come to legible handwriting,<br />

I am afraid we shall have to admit<br />

that our pupils should be sent out<br />

into business life with much better<br />

handwriting than they now have.<br />

While pen bookkeeping is rapidly being<br />

replaced by machine bookkeeping<br />

except in the smallest offices, and all<br />

business correspondence is typewritten,<br />

there is still a tremendous<br />

amount of pen and pencil work to be<br />

done. This must be legible and rapidly<br />

written. Good handwriting is as<br />

important now as it ever was, and<br />

its importance will not lessen in your<br />

day or mine.<br />

In many cities and towns, entirely<br />

too heavy a burden is placed on the<br />

handwriting supervisor. She is given<br />

too many schools to cover and not<br />

enough assistance to do a thorough<br />

job, so she does the best she can and<br />

keeps her faith in miracles.<br />

If handwriting is not making its<br />

proper contribution to business, just<br />

what can we do about it? To begin<br />

with, we can all try to sell our school<br />

authorities on a good handwriting for<br />

every pupil. We can also try to sell<br />

them the idea of being united in their<br />

demands on the training schools in<br />

training their outgoing teachers as<br />

well in muscular movement writing<br />

as they do in other subjects. <strong>The</strong>n<br />

the work of the supervisor would be<br />

something entirely different from<br />

what it is now. With every classroom<br />

teacher a good penman and a<br />

good teacher, supervision would not<br />

be as important as at present. <strong>The</strong><br />

supervisor could then devote a part<br />

of her time to bringing to her teachers<br />

the latest methods and thought in<br />

the field, she could improve and set<br />

up better grade standai'ds, she could<br />

do the many things necessary to im-<br />

prove the entire work in her field, and<br />

she could keep the school administrators<br />

and the public handwriting conscious.<br />

You have your grade scales and<br />

you make a serious effort to keep<br />

pupils at grade level. <strong>The</strong> whole picture<br />

changes, however, when the pupil<br />

enters the high school. Here the<br />

teachers are not particularly interested<br />

in the handwriting, as long as<br />

they can read it without too much effort.<br />

Pupils who are not too well<br />

grounded in this skill often slip back.<br />

I contend that a pupil who v^'ites<br />

below his grade level is down in this<br />

subject just the same as he is down<br />

in any subject in which he is below<br />

grade level, and something should be<br />

done about it. In my own situation,<br />

I have advocated for years that a<br />

reservoir class be established in every<br />

junior and senior high school in the<br />

city and that it be conducted after<br />

school the same as any other make-up<br />

subject. I have recommended that a<br />

good penman be selected from the<br />

school—one at least can usually be<br />

found in the commercial department<br />

—<br />

that he be given the necessary training<br />

in scoring and in methods, and<br />

that he be placed in charge of this<br />

class. Fui-ther recommendations have<br />

been made that every teacher in a<br />

school be made acquainted with the<br />

plan and purpose, and that when he<br />

comes across a paper which is not<br />

satisfactory, it be passed to the reservoir<br />

class teacher for scoring.<br />

Pupils below grade level should be<br />

assigned to the reservoir class. Upon<br />

attaining grade level they should be<br />

excused. If they again slip, they<br />

should be reassigned to this class.<br />

This, I believe, would solve the problem<br />

not only for the commercial<br />

pupils but for all pupils. We are not<br />

interested in turning out professional<br />

penmen, but I believe we would do<br />

well to take as our slogan: "Write<br />

at grade level". When our commercial<br />

pupils enter the business life of<br />

the community with good handwriting,<br />

then they are at least making one<br />

real contribution towards the improvement<br />

of that business life, and<br />

we can feel that we are doing our job<br />

just that much better.<br />

Let us hope that the situation never<br />

gets as serious as it was in the case<br />

of Horace Greeley. We are told that<br />

he was a notoriously poor penman and<br />

was unable to read his own writing<br />

once it got cold. Greeley and Mark<br />

Twain were friends and regular correspondents.<br />

It is said that Mark<br />

Twain carried Greeley's letters around<br />

for days unopened. When asked why<br />

he didn't open and read them, he replied<br />

that he loved to think that he<br />

had an unread letter from a very dear<br />

friend.<br />

I thank you.

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