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QUANTUM METAPHYSICS - E-thesis

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The view-point of complementarity allows us to avoid any futile discussion about an<br />

ultimate determinism or indeterminism of physical events, by offering a straightforward<br />

generalisation of the very ideal of causality, which can aim only at the syn<strong>thesis</strong> of<br />

phenomena describable in terms of a behavior of objects independent of the means of<br />

observation. 655<br />

Victor von Weisskopf tells that Bohr illustrated complementarity by referring to a Cubist<br />

painting displayed in his house, which depicted people in many apparently inconsistent ways.<br />

The whole represented many different aspects of a person at one and the same time and all the<br />

different perspectives were necessary if the object being portrayed was to be ”come at” in a<br />

many-sided way. According to Weisskopf, Bohr wanted to say that there were many different<br />

apparently contradictory ways of classifying human experience. A sunset could be examined<br />

from a physical point of view by thinking about the passage of light and why the sun appears to<br />

be red, or the combination of colours could be marvelled at from an aesthetic point of view. In<br />

the same way, a Beethoven sonata could be examined as a vibration in the air or as a<br />

spontaneous musical and emotional state. All the complementary methods of handling<br />

experience increased the significance of a phenomenon, while the other methods, when studied<br />

from the viewpoint of a single isolated approach, could be considered to be weak and badlydefined.<br />

Poetic statements are not reasonable in scientific description, and psychological<br />

arguments are not reasonable in a neurophysiological context. 656<br />

Quite clearly, whenever we are describing phenomena from which our own influence or<br />

interpretation cannot be isolated, the same situation can quite reasonably be outlined using<br />

different complementary frames of reference. When, for example, the portrayal of a specific<br />

person by a wife, a foreman and an adversary appear to be contradictory, all the honestly<br />

expressed descriptions should in the spirit of complementarity be taken as true representations of<br />

the separate viewpoints which complement each other. Nevertheless, even all such descriptions<br />

taken together are hardly likely to exhaust the countless possibilities that are linked to possible<br />

manifestations of the target in different situations. Consequently, the portrayal that for whatever<br />

reason appears as truth to some must be seen as a product of historical and context-bound<br />

circumstance. Fundamentally, the formation of descriptions and comparisons between them can<br />

be seen as a personal and ethical challenge faced by each human individual.<br />

655 Bohr 1939, 25.<br />

656 Weisskopf 1990, 66, 325-328.<br />

240

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