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how do adolescents define depression? - cIRcle - University of ...

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Chapter 11: Literature Review<br />

which a clinician identified an individual as depressed, whereas the person did not self-identify<br />

as such. Further, in an open-ended format, clients and clinicians were asked to provide reasons<br />

for their identification <strong>of</strong> themselves or their client as depressed. Their comments were grouped<br />

into three categories paralleling the subscales <strong>of</strong> the instrument utilized to measure their<br />

depressive symptomatology (e.g., Cognition/mood, Anxiety/arousal, Vegetative signs). The<br />

fourth category contained "Other" comments that did not fit the three categories. There were<br />

differences noted between the clients' and clinicians' comments across all categories, <strong>how</strong>ever<br />

almost half (47 percent) <strong>of</strong> the clients generated comments clustered in the "Other" category, and<br />

no significant details were reported on these differences.<br />

Similar to the example above, asking a<strong>do</strong>lescents to <strong>define</strong> <strong>depression</strong> gives voice to the<br />

young person's vulnerability to <strong>depression</strong> that may be distinct from research on a<strong>do</strong>lescent<br />

<strong>depression</strong>. Subjective elements may also influence depressive thinking in a<strong>do</strong>lescents (Cicchetti<br />

& Toth, 1998). Understanding these elements may be intertwined with one's vulnerability and<br />

experiences before the onset <strong>of</strong> <strong>depression</strong>.<br />

Exploring the Meaning <strong>of</strong> Concepts<br />

Because a<strong>do</strong>lescents' conceptions <strong>of</strong> <strong>depression</strong> are being explored, I include a review <strong>of</strong><br />

the literature on conceptions, as well as a review <strong>of</strong> cognitive development at the a<strong>do</strong>lescent<br />

stage.<br />

In the mid 1750s, Hume <strong>define</strong>d conceptions as being derived from perceptions (objects,<br />

events, or other people we perceive). The term perception referred to a category he used to<br />

distinguish between impressions and ideas (Hume, 1998). Impressions are the materials first<br />

presented to the mind. Impressions are <strong>define</strong>d as original perceptions (original sensations,<br />

passions, and emotions). Ideas are faint copies or faint images <strong>of</strong> impressions. Ideas are derived<br />

from impressions and become the instruments for imagining, thinking, and symbolizing (Hume,<br />

1998).<br />

In "Studies in Cognitive Development," Elkind (1969) described four facets <strong>of</strong> "a<br />

conception <strong>of</strong> a concept" (p.186): 1) the nature <strong>of</strong> environmental variability or variations<br />

between and within things (e.g., <strong>do</strong>gs, cats); 2) the essence <strong>of</strong> the concept or the commonality<br />

among things; 3) the major function <strong>of</strong> the concept, which includes the discrimination <strong>of</strong><br />

"between-and within-things types <strong>of</strong> variability" (p. 187); and 4) the content <strong>of</strong> the concept.<br />

12

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