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A pilgrimage to the temples and tombs of Egypt, Nubia, and ...

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220 NUBIAN BALLET.<br />

or at <strong>the</strong> Acad^mie Royale de Musique in Paris,<br />

could be compared <strong>to</strong> such natural decorations !<br />

And now for <strong>the</strong> performers—<strong>the</strong> Elslers <strong>and</strong><br />

Ceri<strong>to</strong>s <strong>of</strong> Korosko. They were <strong>Nubia</strong>n <strong>and</strong><br />

Abyssinian dancing-women, six in number, some<br />

<strong>of</strong> <strong>the</strong>m finely formed, <strong>and</strong> with pleasing counte-<br />

nances, all <strong>of</strong> <strong>the</strong>m dressed in <strong>the</strong> fashion I have<br />

<strong>to</strong>ld you is peculiar <strong>to</strong> <strong>the</strong> females <strong>of</strong> this coun-<br />

try, <strong>and</strong> as fine <strong>and</strong> fragrant as nose-rings, ear-<br />

rings, bracelets, <strong>and</strong> cas<strong>to</strong>r-oil could render <strong>the</strong>m.<br />

Their dances are quite dissimilar <strong>to</strong> those <strong>of</strong> <strong>the</strong><br />

Turkish <strong>and</strong> <strong>Egypt</strong>ian Bayaderes, <strong>and</strong> far less<br />

objectionable, for <strong>the</strong>y do not <strong>of</strong>fend delicacy,<br />

although <strong>the</strong>y certainly are in direct opposition<br />

<strong>to</strong> all our European pre-conceived ideas <strong>of</strong> grace.<br />

If I had not previously been aware that what<br />

I was about <strong>to</strong> witness was dancing, I should<br />

have supposed that our corps de ballet had been<br />

simultaneously seized with epileptic convulsions;<br />

so extraordinary was <strong>the</strong> series <strong>of</strong> con<strong>to</strong>rtions<br />

executed by <strong>the</strong>m in cadence <strong>to</strong> <strong>the</strong> clapping <strong>of</strong><br />

b<strong>and</strong>s <strong>and</strong> stamping <strong>of</strong> feet. The most admired<br />

<strong>of</strong> <strong>the</strong>se performances consists in throwing back<br />

<strong>the</strong> head, gradually protruding <strong>the</strong> chest <strong>and</strong><br />

s<strong>to</strong>mach with measured jerks, <strong>and</strong> bending back-<br />

wards until <strong>the</strong> body is perfectly arched, <strong>and</strong> <strong>the</strong><br />

head nearly <strong>to</strong>uches <strong>the</strong> heels. Then at <strong>the</strong> very

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