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A pilgrimage to the temples and tombs of Egypt, Nubia, and ...

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BET-OUALLY.<br />

247<br />

scope <strong>of</strong> my comprehension. At a short distance,<br />

rendered immeasurably long by <strong>the</strong> nature <strong>of</strong> <strong>the</strong><br />

soil <strong>to</strong> be passed over in order <strong>to</strong> reach it, is <strong>the</strong><br />

little spcos or rock-cut temple <strong>of</strong> Bet-Oually,<br />

only consisting <strong>of</strong> a pronaos <strong>and</strong> an adytum <strong>of</strong><br />

very small dimensions, but bearing on <strong>the</strong>ir walls<br />

sculptures which are precious from <strong>the</strong>ir execu-<br />

tion, being <strong>of</strong> <strong>the</strong> good old time when Rhamses<br />

Sesostris was—not King— but Prince Royal <strong>of</strong><br />

<strong>Egypt</strong>. They represent his campaigns against<br />

<strong>the</strong> Arabs, <strong>and</strong> his vic<strong>to</strong>rious return <strong>to</strong> Thebes<br />

with captives <strong>and</strong> spoils in <strong>the</strong> shape <strong>of</strong> gold<br />

chains, pan<strong>the</strong>rs' skins, elephants' teeth, ostriches'<br />

fea<strong>the</strong>rs, <strong>and</strong> living lions, monkeys, <strong>and</strong> giraffes,<br />

which he presents <strong>to</strong> his fa<strong>the</strong>r, Osirei, <strong>the</strong> reign-<br />

ino- Pharaoh. This is a beautiful little bit <strong>of</strong> art;<br />

o<br />

<strong>and</strong> after <strong>the</strong> glare <strong>and</strong> gr<strong>and</strong>eur <strong>of</strong> Kalabschi,<br />

it is like refreshing one's eyes with one <strong>of</strong> <strong>the</strong><br />

cabinet pictures <strong>of</strong> <strong>the</strong> old masters in <strong>the</strong> Louvre,<br />

after returning from seeing <strong>the</strong> vast crudities <strong>of</strong><br />

<strong>the</strong> Versailles galleries.<br />

This morning we visited our last <strong>Nubia</strong>n tem-<br />

ple before reaching Philoe, where we expect <strong>to</strong><br />

be in a few hours. Debod is but <strong>of</strong> little im-<br />

portance in <strong>the</strong> scale <strong>of</strong> architectural beauty, <strong>and</strong><br />

has never been completed. Its original construc-<br />

tion is <strong>of</strong> considerable antiquity, being about <strong>the</strong>

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