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A pilgrimage to the temples and tombs of Egypt, Nubia, and ...

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KALABSCIII. 243<br />

<strong>the</strong> quantities <strong>of</strong> broken blocks <strong>of</strong> s<strong>to</strong>ne wbicli<br />

fill not only <strong>the</strong> several divisions <strong>of</strong> <strong>the</strong> edifice,<br />

but encumber <strong>the</strong> ground all around it, <strong>and</strong> ren-<br />

der its approach a series <strong>of</strong> break-neck feats <strong>and</strong><br />

hair-breadth escapes. But Kalabschi, besides<br />

appearing <strong>to</strong> have been left <strong>of</strong>f unfinished, bears<br />

<strong>the</strong> traces <strong>of</strong> having undergone extreme violence<br />

in an attempt <strong>to</strong> destroy as well as disfigure it.<br />

As its date as a Roman construction negatives<br />

<strong>the</strong> possibility <strong>of</strong> <strong>the</strong>se injuries having been in-<br />

flicted by <strong>the</strong> barbarian followers <strong>of</strong> Cambyses,<br />

<strong>to</strong> whom is attributed <strong>the</strong> primary destruction <strong>of</strong><br />

all <strong>the</strong> Pharaonic fanes, it is admissible <strong>to</strong> sup-<br />

pose that Kalabschi may have been injured by<br />

<strong>the</strong> Saracen conquerors <strong>of</strong> <strong>Egypt</strong>. I should have<br />

said <strong>the</strong> early Christians, or Iconoclasts, had I<br />

perceived any traces <strong>of</strong> <strong>the</strong>ir religious paintings<br />

covering <strong>the</strong> sculptures <strong>of</strong> <strong>the</strong> various chambers.<br />

The architecture <strong>of</strong> Kalabschi is extremely strik-<br />

ing, <strong>and</strong> even beautiful for an <strong>Egypt</strong>ian temple,<br />

which, bear in mind, is a description <strong>of</strong> structure<br />

that I do not admire. It is perfect in all its<br />

parts, by which I mean that it possesses all <strong>the</strong><br />

accessories requisite <strong>to</strong> complete a religious<br />

edifice <strong>of</strong> <strong>the</strong> first class ; <strong>and</strong> besides <strong>the</strong>se,<br />

<strong>the</strong>re is a magnificent paved avenue leading<br />

from <strong>the</strong> river's side <strong>to</strong> <strong>the</strong> propylon. Over all

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