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A pilgrimage to the temples and tombs of Egypt, Nubia, and ...

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368 TEMPLE OF EDFOU.<br />

only from <strong>the</strong> time <strong>of</strong> <strong>the</strong> P<strong>to</strong>lemies applies <strong>to</strong><br />

Ed foil as it does <strong>to</strong> Koom Ombos <strong>and</strong> Esne, <strong>and</strong><br />

detracts from all its merits ; <strong>and</strong> Champollion,<br />

whose authority is not <strong>to</strong> be questioned on such<br />

a subject, says <strong>of</strong> it : " Ce monument imposant<br />

par sa masse porte cependant Tempreinte de la<br />

decadence de I'art <strong>Egypt</strong>ien sous les P<strong>to</strong>lemees,<br />

au regne desquels il appartient <strong>to</strong>ut entier ; ce<br />

n'est plus la simplicity antique ; on y remarque<br />

une recherche et une pr<strong>of</strong>usion d'ornement bien<br />

maladroit, et qui marque la transition entre<br />

la noble gravite des monuments Pharaoniques<br />

et le papillotage fatiguant et de si mauvais<br />

gout du temple d'Esne, construit du temps des<br />

Empereurs/'<br />

This sweeping censure <strong>of</strong> course refers more<br />

<strong>to</strong> <strong>the</strong> sculptures than <strong>to</strong> <strong>the</strong> architecture <strong>of</strong> <strong>the</strong><br />

P<strong>to</strong>lemaic <strong>temples</strong>, for bas-reliefs <strong>and</strong> hiero-<br />

glyphic legends were <strong>the</strong> peculiar province <strong>of</strong><br />

Champollion, <strong>and</strong> interested him far more than<br />

<strong>the</strong> proportions <strong>of</strong> propyla <strong>and</strong> pronaos. Those<br />

<strong>of</strong> Edfou are in pr<strong>of</strong>usion, <strong>and</strong> <strong>to</strong> my unpractised<br />

eye appear <strong>to</strong> be beautifully executed, <strong>the</strong> greater<br />

part <strong>of</strong> <strong>the</strong>m in <strong>the</strong> style termed by <strong>the</strong> Italians<br />

distemper(dura. Columns, walls, ceilings, all are<br />

covered with gigantic figures, <strong>and</strong> more delicately<br />

proportioned mythological subjects, relating <strong>of</strong>

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