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A pilgrimage to the temples and tombs of Egypt, Nubia, and ...

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THE LAST MEMLOOK. 67<br />

him <strong>to</strong> <strong>the</strong> end <strong>of</strong> his life. But, as you may<br />

imagine, <strong>the</strong> recollection <strong>of</strong> Mohammed All's<br />

memorable hospitality <strong>to</strong> his brethren in arms,<br />

was not <strong>of</strong> a nature <strong>to</strong> inspire Amyn Bey with<br />

much confidence in <strong>the</strong> promises <strong>of</strong> a man who<br />

had treacherously converted <strong>the</strong> sacred character<br />

<strong>of</strong> a host in<strong>to</strong> <strong>the</strong> odious <strong>of</strong>fice <strong>of</strong> a destroyer.<br />

He <strong>the</strong>refore declined <strong>the</strong> Pasha's <strong>of</strong>fer, <strong>and</strong>, pre-<br />

ferring a life <strong>of</strong> exile <strong>to</strong> <strong>the</strong> terrible chances<br />

involved in a return <strong>to</strong> <strong>Egypt</strong>, <strong>the</strong> last Memlook<br />

set up his household gods at Acre, where, under<br />

<strong>the</strong> protection <strong>of</strong> <strong>the</strong> Turkish governor, he ter-<br />

minated his existence at a good old age within<br />

<strong>the</strong> last three or four years.<br />

The mosques <strong>of</strong> Cairo are very numerous, <strong>and</strong><br />

<strong>the</strong>ir minarets form one <strong>of</strong> <strong>the</strong> most beautiful<br />

features in <strong>the</strong> place, being infinitely more grace-<br />

ful in <strong>the</strong>ir form than those <strong>of</strong> Constantinople.<br />

Many <strong>of</strong> <strong>the</strong>m are ornamented with three tiers <strong>of</strong><br />

galleries <strong>and</strong> light sculptures d jour in <strong>the</strong> style<br />

<strong>of</strong> <strong>the</strong> Damascus architecture, which is consider-<br />

ed <strong>to</strong> afford <strong>the</strong> best specimens <strong>of</strong> Saracenic art,<br />

<strong>and</strong> is <strong>the</strong> school from whence <strong>the</strong> Moors <strong>of</strong> Spain<br />

derived those beautiful ideas which are so ex-<br />

quisitely illustrated in <strong>the</strong> halls <strong>of</strong> <strong>the</strong> Alhambra<br />

whence <strong>the</strong> two styles, <strong>the</strong> Stalactite <strong>and</strong> <strong>the</strong><br />

Ho7iei/co7nb vie with each o<strong>the</strong>r in richness <strong>and</strong><br />

F 2<br />

;

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