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The Descent of Man

The Descent of Man

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shades <strong>of</strong>f downwards into a pale-leaden hue,<br />

and this into yellowish and brown tints, which<br />

insensibly become darker and darker towards<br />

the lower part <strong>of</strong> the ball. It is this shading<br />

which gives so admirably the effect <strong>of</strong> light<br />

shining on a convex surface. If one <strong>of</strong> the balls<br />

be examined, it will be seen that the lower part<br />

is <strong>of</strong> a brown tint and is indistinctly separated<br />

by a curved oblique line from the upper part,<br />

which is yellower and more leaden; this curved<br />

oblique line runs at right angles to the longer<br />

axis <strong>of</strong> the white patch <strong>of</strong> light, and indeed <strong>of</strong><br />

all the shading; but this difference in colour,<br />

which cannot <strong>of</strong> course be shewn in the woodcut,<br />

does not in the least interfere with the perfect<br />

shading <strong>of</strong> the ball. It should be particularly<br />

observed that each ocellus stands in obvious<br />

connection either with a dark stripe, or with a<br />

longitudinal row <strong>of</strong> dark spots, for both occur<br />

indifferently on the same feather. Thus in Fig.<br />

57 stripe A runs to ocellus a; B runs to ocellus b;<br />

stripe C is broken in the upper part, and runs

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