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The Descent of Man

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ments, and the equally hideous music admired<br />

by most savages, it might be urged that their<br />

aesthetic faculty was not so highly developed<br />

as in certain animals, for instance, as in birds.<br />

Obviously no animal would be capable <strong>of</strong> admiring<br />

such scenes as the heavens at night, a<br />

beautiful landscape, or refined music; but such<br />

high tastes are acquired through culture, and<br />

depend on complex associations; they are not<br />

enjoyed by barbarians or by uneducated persons.<br />

<strong>Man</strong>y <strong>of</strong> the faculties, which have been <strong>of</strong> inestimable<br />

service to man for his progressive advancement,<br />

such as the powers <strong>of</strong> the imagination,<br />

wonder, curiosity, an undefined sense <strong>of</strong><br />

beauty, a tendency to imitation, and the love <strong>of</strong><br />

excitement or novelty, could hardly fail to lead<br />

to capricious changes <strong>of</strong> customs and fashions.<br />

I have alluded to this point, because a recent<br />

writer (73. '<strong>The</strong> Spectator,' Dec. 4th, 1869, p.<br />

1430.) has oddly fixed on Caprice "as one <strong>of</strong> the

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