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The Descent of Man

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and love, which readily pass into devotion. In<br />

the Chinese annals it is said, "Music hath the<br />

power <strong>of</strong> making heaven descend upon earth."<br />

It likewise stirs up in us the sense <strong>of</strong> triumph<br />

and the glorious ardour for war. <strong>The</strong>se powerful<br />

and mingled feelings may well give rise to<br />

the sense <strong>of</strong> sublimity. We can concentrate, as<br />

Dr. Seemann observes, greater intensity <strong>of</strong> feeling<br />

in a single musical note than in pages <strong>of</strong><br />

writing. It is probable that nearly the same<br />

emotions, but much weaker and far less complex,<br />

are felt by birds when the male pours<br />

forth his full volume <strong>of</strong> song, in rivalry with<br />

other males, to captivate the female. Love is<br />

still the commonest theme <strong>of</strong> our songs. As<br />

Herbert Spencer remarks, "music arouses dormant<br />

sentiments <strong>of</strong> which we had not conceived<br />

the possibility, and do not know the meaning;<br />

or, as Richter says, tells us <strong>of</strong> things we<br />

have not seen and shall not see." Conversely,<br />

when vivid emotions are felt and expressed by<br />

the orator, or even in common speech, musical

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