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Media Study - Medija centar Beograd

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In addition to the traditional copyright collection society, SOKOJ (Serbian Music Authors' Organization) 43 new<br />

collecting societies have been established:<br />

OFPS – Organisation of Producers of Phonogramsof Serbia 44 (the biggest phonogram producer in Serbia is<br />

RTS)<br />

PI – Organization for Collective Management of Interpreters' Rights 45 .<br />

Independent audiovisual producers and broadcasters are not organized in an individual collecting society yet and<br />

thus do not collect/receive money. 46<br />

Small broadcasters have problems negotiating and reporting to collecting societies. During interviews stakeholders<br />

repeatedly complained that the level of copyright royalties was set in arbitrarily and was sometimes distributed<br />

equally arbitrarily to customers and users.<br />

Amendments to the existing copyright act adopted by the end of 2009 which address the regulation and level of<br />

royalties have not yet had any practical effects.<br />

43 Sokoj protects rights of composers, songwriters, arrangers and other right holders in respect of musical works of all genres. Sokoj - Serbian<br />

Music Authors' Organization was founded in 1950. It is the oldest and until recently the only organization for collective protection of music<br />

copyright and related rights. It represents, on the basis of their authorizations, over 9.000 domestic authors and copyright holders, and more<br />

than 2.000.000 foreign authors, on the basis of 101 bilateral agreements concluded with foreign copyright societies.<br />

Sokoj is presently organized as a very model of contemporary European society for collective management of copyright. Sokoj performs its<br />

activity on the basis of Copyright and Related Rights Act as revised and adopted in December 2009 (Official Gazette of RS no. 104/2009) and<br />

appropriate authorization obtained, in accordance with the law, from Intellectual Property Office. As a non-profit organization, performs two<br />

basic groups of activities:<br />

- issuing licenses for public performing and broadcasting protected music works;<br />

- collects adequate remuneration from users of those works; distributes and effects payment of collected remuneration, to authors and other<br />

copyright holders both in the country and abroad.<br />

44 www.ofps.org.rs<br />

45 Organization for Collective Administration of Performing Rights, abbreviated Organization PI, under Copyright Law of Serbia and collective<br />

management license performs the following: 1.collection and distribution of performer's remuneration for broadcasting and communication to<br />

the public of performances from the published phonograms; 2.collection and distribution of performer's remuneration for making available to<br />

the public of performances, by wired or wireless means; 3.collection and distribution of performer's remuneration for rental of the<br />

performance; 4.collection and distribution of performer's remuneration for private copying; and 5. to provide protection for foreign holders of<br />

performers and ensure protection of Serbian performers’ abroad by concluding bilateral agreements with foreign CMOs.<br />

Founders of Organization PI are societies/unions of performers that represent majority of performing artists in Serbia (including but not limited<br />

to singers, classical instrumental players, musicians, dancers) - www.pravainterpretatora.org<br />

46 AGICOA has been representing international independent producer rights in Serbia in cooperation with SOKOJ some years ago. This<br />

cooperation is not running nowadays – following the actual information by the AGICOA board.<br />

AGICOA is an international, not-for-profit organization established twenty five years ago to track and distribute royalties on retransmission of<br />

the products of independent producers. It represents clients worldwide and operates under the terms of audiovisual copyright law established<br />

by the Berne Convention and the provisions of the Cable and Satellite Directive. Since 2000, they have collected and distributed over half a<br />

billion euros of royalty payments on a portfolio of more than 700.000 audiovisual products (www.agicoa.org).<br />

54

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