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R_Bibb_Medical_Modelling_The_Application_of_Adv.pdf

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262 <strong>Medical</strong> modelling<br />

10. Seidler H, Falk D, Stringer C, Wilfi ng H, Muller G B, zur Nedden D, Weber<br />

G W, Reicheis W, Arsuaga J-L (1997), ‘A comparative study <strong>of</strong> stereolithographically<br />

modelled skulls <strong>of</strong> Petralona and Broken Hill: implications for<br />

future studies <strong>of</strong> middle Pleistocene hominid evolution’, Journal <strong>of</strong> Human<br />

Evolution, 33 (6), 691–703.<br />

11. Hjalgrim H, Lynnerup N, Liversage M, Rosenklint A (1995), ‘Stereolithography:<br />

Potential applications in anthropological studies’, American Journal <strong>of</strong> Physical<br />

Anthropology, 97 (3), 329–33.<br />

12. Wilkinson C M (2004), Forensic Facial Reconstruction, Cambridge, Cambridge<br />

University Press, ISBN: 0521820030.<br />

13. Wilkinson C M (2003), ‘Virtual Sculpture as a method <strong>of</strong> computerised facial<br />

reconstruction’, Proceedings <strong>of</strong> the 1 st International Conference on Reconstruction<br />

<strong>of</strong> S<strong>of</strong>t Facial Parts, Potsdam, Germany, 59–63.<br />

14. Taylor J H (2004), Mummy: the Inside Story, London, British Museum Press,<br />

ISBN: 0714119628.<br />

6.17 Research applications case study 3: Recreating<br />

skin texture relief using computer-aided design<br />

and rapid prototyping<br />

6.17.1 Acknowledgements<br />

<strong>The</strong> work described in this case study was written by Dominic Eggbeer,<br />

Peter Evans and Richard <strong>Bibb</strong> as part <strong>of</strong> the long-term collaboration<br />

between the National Centre for Product Design & Development Research,<br />

University <strong>of</strong> Wales Institute, Cardiff, UK and the Maxill<strong>of</strong>acial Unit,<br />

Morriston Hospital, Swansea, UK.<br />

6.17.2 Introduction<br />

Maxill<strong>of</strong>acial prosthetists and technologists (MPTs) seek to meet the needs<br />

<strong>of</strong> patients with various degrees <strong>of</strong> facial deformity by restoring aesthetic<br />

and functional portions <strong>of</strong> missing tissue using artifi cial materials. Prosthetic<br />

restoration <strong>of</strong> lost tissue precedes surgical reconstruction and, despite<br />

recent advances in surgery, many cases remain where prosthetic rehabilitation<br />

is a more appropriate treatment (1). Patients typically suffer from<br />

conditions resulting from traumatic injury (such as road traffi c accidents),<br />

congenital deformity or diseases that cause signifi cant tissue damage such<br />

as cancer.<br />

Factors that contribute to the aesthetic success <strong>of</strong> prostheses include skin<br />

colour match, appropriate contours and realistic texture (2). <strong>The</strong> MPTs who<br />

create the prostheses attempt to address these factors, which are conventionally<br />

assessed by eye and carved by hand in wax on a plaster replica <strong>of</strong>

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