R_Bibb_Medical_Modelling_The_Application_of_Adv.pdf
R_Bibb_Medical_Modelling_The_Application_of_Adv.pdf
R_Bibb_Medical_Modelling_The_Application_of_Adv.pdf
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Case studies 263<br />
the patient’s defect. Firstly, the external and fi tting surfaces are shaped so<br />
that the contours <strong>of</strong> the prosthesis are established. This is <strong>of</strong>ten done with<br />
the patient present for test fi ttings. <strong>The</strong> detail is gradually refi ned using<br />
sculpting tools to defi ne features, creases, folds and smaller skin details that<br />
recreate missing anatomy (perhaps using old photographs as a guide) and<br />
that match the topography <strong>of</strong> the surrounding anatomy.<br />
In order to create a more realistic appearance for the prosthesis skin<br />
texture may be added. This can be achieved in a variety <strong>of</strong> techniques, such<br />
as stippling with a stiff brush or taking an impression from orange peel or<br />
gauze. Conversely, a fl ame torch may be used to locally melt or s<strong>of</strong>ten the<br />
wax in order to selectively smooth areas or decrease the prominence <strong>of</strong><br />
textures and bumps. When the wax sculpting is complete, a plaster mould<br />
is made from it. <strong>The</strong> mould surface picks up the texture and detail <strong>of</strong> the<br />
wax carving. Once the plaster mould is set, the wax is melted out and<br />
the mould is packed with silicone elastomer that has been matched to the<br />
patient’s skin colour. Other details may be added at this stage such as<br />
the use <strong>of</strong> red rayon fi bres that replicate superfi cial capillaries and veins.<br />
<strong>The</strong> silicone is heated under pressure to produce the fi nal solid but fl exible<br />
prosthesis. Depending on the complexity and size <strong>of</strong> the prosthesis, this<br />
process may take two to three days.<br />
Improved surgical and medical techniques have led to improved survival<br />
rates from accidents and cancer treatments, which has in turn led to an<br />
increased workload for MPTs. This has driven growing interest in the<br />
application <strong>of</strong> advanced computer-aided design and manufacturing technologies.<br />
Technologies such as computer-aided design (CAD) and rapid<br />
prototyping (RP) have shown benefi ts in reducing time and labour in<br />
product design and development, and initial research suggests that similar<br />
benefi ts may be realised in the production <strong>of</strong> facial prosthetics. However,<br />
whilst some RP technologies have been successfully exploited in maxill<strong>of</strong>acial<br />
surgery for many years, their application in facial prosthetics remains<br />
relatively unexplored (3). Recent technological advances have increased<br />
opportunities for MPTs to benefi t from these technologies, and this can be<br />
seen in the recent research (4–12). Despite this interest and some promising<br />
results, most <strong>of</strong> this research has focused on the creation <strong>of</strong> the overall<br />
shape <strong>of</strong> the prosthesis and has not considered the importance <strong>of</strong> the<br />
smaller details that make a prosthesis visually convincing. Given the importance<br />
<strong>of</strong> details such as texture and wrinkles in achieving a natural and<br />
realistic result, it was important to explore the problem through the study<br />
described here.<br />
This research aimed to identify and assess suitable technologies that may<br />
be used to create and produce fi ne textures and wrinkles that may be conveniently<br />
incorporated into prosthesis design and production techniques.