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The Oxford Dictionary of Quotations Preface

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Acting is therefore the lowest <strong>of</strong> the arts, if it be an art at all.<br />

‘Impressions and Opinions’ (1891) ‘Mummer-Worship’<br />

1.162 Marianne Moore 1887-1972<br />

O to be a dragon,<br />

a symbol <strong>of</strong> the power <strong>of</strong> Heaven—<strong>of</strong> silkworm<br />

size or immense; at times invisible.<br />

Felicitous phenomenon!<br />

‘O To Be a Dragon’ (1959)<br />

I, too, dislike it: there are things that are important beyond all this fiddle. Reading it, however,<br />

with a perfect contempt for it, one discovers in it, after all, a place for the genuine.<br />

‘Poetry’ (1935)<br />

Nor till the poets among us can be<br />

‘literalists <strong>of</strong><br />

the imagination’—above<br />

insolence and triviality and can present<br />

for inspection, imaginary gardens with real toads in them, shall we have it.<br />

‘Poetry’ (1935)<br />

My father used to say,<br />

‘Superior people never make long visits,<br />

have to be shown Longfellow’s grave<br />

or the glass flowers at Harvard.’<br />

‘Silence’ (1935)<br />

Nor was he insincere in saying, ‘Make my house your inn.’<br />

Inns are not residences.<br />

‘Silence’ (1935)<br />

1.163 Sturge Moore 1870-1944<br />

<strong>The</strong>n, cleaving the grass, gazelles appear<br />

(<strong>The</strong> gentler dolphins <strong>of</strong> kindlier waves)<br />

With sensitive heads alert <strong>of</strong> ear;<br />

Frail crowds that a delicate hearing saves.<br />

‘<strong>The</strong> Gazelles’<br />

1.164 Thomas Moore 1779-1852<br />

Yet, who can help loving the land that has taught us<br />

Six hundred and eighty-five ways to dress eggs?<br />

‘<strong>The</strong> Fudge Family in Paris’ (1818) letter 8, l. 64<br />

For you know, dear—I may, without vanity, hint—<br />

Though an angel should write, still ‘tis devils must print.<br />

‘<strong>The</strong> Fudges in England’ (1835) letter 3, l. 64

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