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The Oxford Dictionary of Quotations Preface

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When you have nothing to say, say nothing.<br />

‘Lacon’ (1820) vol. 1, no. 183<br />

Examinations are formidable even to the best prepared, for the greatest fool may ask more than<br />

the wisest man can answer.<br />

‘Lacon’ (1820) vol. 1, no. 322<br />

If you would be known, and not know, vegetate in a village; if you would know, and not be<br />

known, live in a city.<br />

‘Lacon’ (1820) vol. 1, no. 334<br />

Man is an embodied paradox, a bundle <strong>of</strong> contradictions.<br />

‘Lacon’ (1820) vol. 1, no. 408<br />

3.152 Betty Comden 1919-and Adolph Green 1915—<br />

New York, New York,—a helluva town,<br />

<strong>The</strong> Bronx is up but the Battery’s down,<br />

And people ride in a hole in the ground:<br />

New York, New York,—It’s a helluva town.<br />

‘New York, New York’ (1945 song; music by Leonard Bernstein)<br />

<strong>The</strong> party’s over.<br />

Title <strong>of</strong> song (1956; music by Jule Styne)<br />

3.153 Dame Ivy Compton-Burnett 1884-1969<br />

Time has too much credit...It is not a great healer. It is an indifferent and perfunctory one.<br />

Sometimes it does not heal at all. And somtimes when it seems to, no healing has been necessary.<br />

‘Darkness and Day’ (1951) ch. 7<br />

‘Well, <strong>of</strong> course, people are only human...But it really does not seem much for them to be.’<br />

‘A Family and a Fortune’ (1939) ch. 2<br />

People don’t resent having nothing nearly as much as too little.<br />

‘A Family and a Fortune’ (1939) ch. 4<br />

‘<strong>The</strong> more we ask, the more we have. And, it is fair enough: asking is not always easy.’ ‘And it<br />

is said to be hard to accept...So no wonder we have so little.’<br />

‘<strong>The</strong> Mighty and their Fall’ (1961) ch. 6<br />

<strong>The</strong>re are different kinds <strong>of</strong> wrong. <strong>The</strong> people sinned against are not always the best.<br />

‘<strong>The</strong> Mighty and their Fall’ (1961) ch. 7<br />

We must use words as they are used or stand aside from life.<br />

‘Mother and Son’ (1955) ch. 9<br />

3.154 Auguste Comte 1798-1857<br />

M. Comte used to reproach his early English admirers with maintaining the<br />

‘conspiracy <strong>of</strong> silence’ concerning his later performances.<br />

In J. S. Mill ‘Auguste Comte and Positivism’ (1865) p. 199

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